3 Nov in Saarland – Lecture: “Dismantling The Architecture and Refurbishment of Indigenous Trauma”

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DISMANTLING THE ARCHITECTURE AND REFURBISHMENT OF INDIGENOUS TRAUMA by Red Haircrow
03. November 2022, 19 Uhr. Ort: VHS Saarbrücken, Altes Rathaus, Raum 23

“In Germany and most of the world, the trauma North American Indigenous peoples experience is mostly believed to be from events in the past, focusing on direct methods and effects of invasion and colonization by Europeans. However, the cycle of genocide, of violence, erasure, and the silencing and „replacement“ of Native peoples never ended.

Despite tremendous efforts and greater availability of firsthand Indigenous sources of knowledge and history, the renovation and refurbishment of trauma continues in a variety of ways, from the persistence of Eurocentrism in curricula at all levels of education, to pop culture references and western societies, systems and structures as whole. Honest examination and humility is needed in examining the past and present history of Indigenous peoples, not only of North America and worldwide, but those of Europe and the unresolved trauma here, which connection is often overlooked or minimized.”

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Be ready for November #NativeAmerican Heritage Month! Order our Award-winning #Documentary now for your orgs, university & school #filmscreenings

Order now to screen our award-winning documentary on the origin and effects of Native American stereotypes, just in time for November, which is Native American Heritage month. It is a documentary intended for audiences 12 and older, and has screened to positive reception at universities, gymnasiums, organizations and groups who are interested in helping create a better world and future for all peoples.

And we’re not a niché film nor an analysis of Karl May’s work! We leave that to the same demographic continuing to defend racist and sexist materials and romanticizing literature in which white supremacist ideology, misappropriation and Eurocentrism was common, no matter how nicely written.

Our film focuses on how the same mentality that ignores Indigenous rights to self-representation are often those who stereotype and gaslight GLBTIIQ people, women, the disabled or economically challenged, especially people of color just for desiring change and equality. It is basically saying, “My gratification is more important than your dignity, your rights or even your life.” This is a main facet of rape culture. It is intersecting oppression. 

How do we go forward together in a better way? Watch the trailer here, and previous clips from production.

WAYS TO WATCH!

  • Available with German or English subtitles.
  • Opportunities for Classroom, Campus, Organization & Library Screenings

  • If you are interested in also having Virtual or In-person panels with Filmmakers & Film Participants, please contact us via our form, which can be found on our FAQs page.
  • Streaming & Digital Site License Options – Please contact VTAPE, our Canadian based artist run distributer, to arrange your rental copy and/or screening copy. There are only a few DVD copies left for private use, but we hope to offer a streaming option for inviduals in the near future.

Filmvorführung von “#ForgetWinnetou! Loving in the Wrong Way” von Dr. Brenne: Überraschung, Deutschland! “Kein Karl May bashing”

Von Dr. Andreas Brenne nach der Filmvorführung und Diskussion am 26. April 2019. Osnabrück, Museumsquartier.

“Freitag Abend im Museumsquartier Osnabrück: Red Haircrow – “Forget Winnetou! Loving in the wrong way” (Film und Diskussion)

“Ein anregender Abend im vollbesetzten Haus. Mit dabei: zahlreiche Lehrende und Studierende der Uni Osnabrück (Institut für Amerikanistik, Institut für Sozialwissenschaft) und der Autor und Produzent des Films Red Haircrow (Autor, Psychologe & Filmemacher). Ein eindringlicher und in seiner Direktheit beeindruckenden Dokumentarfilm gab er den in Deutschland ansässigen Native Americans eine Stimme und präsentierte kontroverse Positionen und Perspektiven auf das Thema „Herkunft und kulturelle Identität“.

“Kein Infotainment a la Michael Moore sondern ein fundraising Film mit begrenztem Budget. Insofern lag der Fokus auf den sehr persönlichen Statements, die durch Interviews mit Experten (u.A. Hartmut Lutz) ergänzt wurden. Auch die anschließende Diskussion mit dem Autor war sensibel und inhaltlich komplex.  (Red Haicrow: Wunderschöne Bücher, ich wünschte ich hätte Karl May einmal kennengelernt) sondern eine differenzierte Auseinandersetzung mit dem deutschen Bild des Indianers. Wertschätzung, Interesse, Aneignung und stereotype Diskriminierung liegen oft nah bei einander und es ist hilfreich dies näher zu untersuchen. Ein Ausweg – so der Autor – ist Begegnung, Kontakt und Interaktion. Und natürlich soll man weiter Karl May lesen und zur Aufführung bringen. Von politisch korrekten Bearbeitungen (wie jüngst bei #PipiLangstrumpf) hält Red Haicrow gar nicht. Man sollte Winnetou also nicht vergessen, sondern unter einer anderen Perspektive wieder entdecken. Ein gelungener und auch nachdenklicher Abend.”

HASEPOST Osnabrück.


Eine weitere Filmrezension

“Warum sollten Sie diesen Film sehen? Weil er neue Perspektiven eröffnet. Weil er zum Nachdenken bringt. Weil er innovativ ist. Und weil das Thema uns alle angeht.

Winnetou kennen die meisten (weißen) Deutschen, selbst wenn sie Karl Mays Bücher nicht mehr selbst gelesen haben. Wir Deutschen lieben Indigene Kultur. Wir sehen oft schon als Kinder Filme und lesen Bücher darüber. Manche von uns gehen so weit, in ihrer Freizeit “Western-Parks” zu besuchen, sich zu Karneval als “Indianer*innen” zu kostümieren oder an den Wochenenden Indigene Kultur “nachzuerleben”. Aber echte Indigene Personen? Die heute in Berlin leben? Darüber wissen die meisten von uns nichts.

Der Film ändert das. Er zeigt auch sehr nachdrücklich, dass unsere Faszination für Indigene Kultur alles andere als harmlos ist. Kulturelle Aneignung heißt das, wenn sich Weiße ohne Erlaubnis Elemente anderer Kulturen zu Eigen machen. Selbst mit den besten Absichten hat das rassistische Effekte. Also: ja, der Film leistet wichtige dekoloniale Arbeit.

Und falls Sie nicht weiß sind? Sollten Sie den Film trotzdem anschauen. Er zeigt eine oft übersehene Facette der hiesigen kulturellen Landschaft, dokumentiert aber gleichzeitig, wie überkommene rassistische Strukturen und Stereotype Indigenen Individuen in Deutschland das Leben schwer machen. Heißt: da muss sich was ändern. Der Film gibt wichtige Hinweise wie. Vor allem aber zeigt er heutiges Indigenes Leben in all seiner Komplexität auf eindringliche, bewegende Weise. Wer braucht da noch Winnetou?




Ja, für all die Fehlinformationen, reaktionäre Empörung und Verlogenheit, die im Umlauf sind und die von vielen deutschen Medien absichtlich geschürt wurden.

Ich habe auch ein Zitat aus einem Interview mit Dr. Bolz aus dem Jahr 2017 gefunden, das sehr relevant für die deutsche Reaktion auf die rassistische und sexistische Ravenburger Publikation “Cancellation” und die fortgesetzte Ausbeutung von Mays Namen, Schauplatz und Figuren ist. Vor allem musste ich an die weißen CIS-Männer denken, die größtenteils immer noch diese spezielle kulturelle Aneignung, den Missbrauch und die falsche Darstellung vorantreiben.

Obwohl ich glaube, dass das meiste davon unwahr ist, zum Bespiele, wird sich die Stereotypisierung nicht ändern. Viele Menschen haben ihre Sichtweise auf positive Weise geändert, was zu bewundern ist. Bolz’ Zusammenfassung eines bestimmten Typs von weißen Deutschen ist zutreffend.

“Die Stereotypisierung kann und wird sich nicht ändern, weil es nicht der Charakter der Deutschen ist, dies zu tun. Sie wollen, dass die Dinge einfach sind. So wie es ihnen gefällt. Und außerdem wollen die Deutschen nicht über die Komplexität oder die Probleme nachdenken, die durch das, was sie tun, verursacht werden. Sie mögen Indianer, sie wollen sich wie sie verkleiden und das nachspielen, was sie für ein vergangenes “indianisches” Leben halten. Sie wollen nicht über die Folgen ihres Handelns nachdenken oder diese bedenken.”

Manche mögen das als “engstirnig”, antiquiert und monolithisch bezeichnen, nicht wahr?

Sharing an important statement from the Native American Association of Germany – “Soll Winnetou abgeschafft werden?” (In Deutsch)

naaog

Bitte lesen Sie die vollständige Erklärung auf ihrer Website, die ich mit dieser zusätzlichen Anerkennung voll unterstütze: In Deutschland bezieht sich der Begriff “Natives” zwar in erster Linie auf die Native Nordamerikaner, insbesondere auf die Plains Nations, aber auch auf alle indigenen Gruppen in “Amerikas”. Eine von den Europäern geschaffene und durchgesetzte Bezeichnung, die die Namen der Kontinente durch ihre tatsächlichen Originalbewohner, die Natives, die immer noch hier sind, ignoriert.

Please read the full statement on their website, which I fully endorse with this additional acknowledgement: In Germany, while the term “Native” refers primarily to Native North Americans, especially the Plains Nations, it also refers to all indigenous groups in “the Americas.” A term created and enforced by Europeans that ignores the names of the continents by their actual original inhabitants, the Natives, who are still here. The NAAoG statement will be translated to English in the next days.

The protests and demand for removal and banning of the term “squ*w began decades ago in North America, supported by many Native nations, peoples, non-Natives and objective researchers on the etymology of the term, its origin, historic and contemporary usage, which was deemed racist, sexist exploitive and reductive.

“The word itself is a constant reminder of the unjust treatment of the Native people, of the Washoe people,” said Darrel Cruz of the Washoe Tribe Historic Preservation Office. “It’s a constant reminder of those time periods when it was not good for us. It’s a term that was inflicted upon us by somebody else and we don’t agree with it.”

On state and local level, and now on national levels supported by Senator Debbie Haaland (Navajo/Diné), President Biden and many, many others who wish to the end of any sexualized derogatory terms for Native women, who continue to suffer sexual assault and rape higher than any other demographic group, with over 90% of the perpetrators being non-Native men.

RAVENSBURGER WAS FULLY MADE AWARE OF THIS AND OTHER OFFENSIVE PRACTICES AND TERMS FOR YEARS. THEY DELIBERATELY CHOSE TO CONTINUE PRODUCTION THIS YEAR AND ONLY AFTER PROTEST ISSUED A NON-APOLOGY, WHICH HAS GENERATED ANGRY BACKLASH DUE TO WIDESPREAD DELIBERATE MISINFORMATION CIRCULATED BY GERMAN MEDIA.



von Carmen Kwasny (Vorsitzende):

“Am 23.08.2022 fing morgens das Telefon an zu klingeln und hörte bis in die Abendstunden hinein nicht mehr auf. Parallel dazu landeten weitere Interviewanfragen in unserem E-Mail-Postfach. Was war geschehen?

Continue reading “Sharing an important statement from the Native American Association of Germany – “Soll Winnetou abgeschafft werden?” (In Deutsch)”

The Whitecentric #Winnetou Controversy in #Germany is Overshadowing Important Topics like #RostockLichtenhagen but the Root Cause is the same: #Racism & White Supremacist Ideology

Shared from redhaircrow.com:

In a recent Twitter post an important point was made by Dr. Noa Ha, a participant from our documentary, “Forget Winnetou! Loving in the Wrong Way” and a “(Post)colonial urbanist. Des/integration, critical race, decolonial studies. @ art school Berlin-Weissensee and DeZIM.”

Find the original thread here.

I responded on the thread “Another facet of whiteness and whiteness-centeredness, both of which have the same roots: Racism. They’re still ask the same questions about Winnetou that were answered years ago. As in Rostock Lichtenhagen, no real social changes have been made. People are deliberately holding on to, and even defending, behaviors and practices that cause enormous harm.

It’s all connected.

I have done a few interviews in the last days regarding the Ravensburger book controversy and the new Winnetou film, but I’ve declined most, especially those asking the same questions already answered last month, last year, two, five and ten years ago. But a certain Germany and Germans refuse to listen and willfully defend racism and racist practices, and the teaching of perpetuation of Eurocentrism and cultural appropriation to another generation as “part of German culture”. So, racism is your culture? German media has largely been inflating, misinforming and encouraging defensive of racism and outrage over consequences for the support of stereotypes and cultural appropriation.

Thus far, you can partially read the articles/interviews cited below online or in print, but these are in German. And inevitably, at least one source stated a complete falsehood about my documentary, “Forget Winnetou! Loving in the Wrong Way” at the beginning of my interview. And then, they wonder why we and I delete their requests because of such misuse and misrepresentation of ourselves and our work? Rather like what they do to Native Americans in these books and films. Yet another example of how affective even fictional caricatures and stereotypes are in influencing behaviors.

A couple of articles/interviews with me so far, and this list will be updated:

At Tagesspiegel: “Das Problem an #Winnetou: Ein Psychologe über #Rassismus und die deutsche Obsession mit dem Wilden Westen” by Adrian Schultz (a positive experience).

At Stern.de_ “Mitglied der Chiricahua Apache/Cherokee verurteilt Neuauflage von Winnetou: “Hier geht es um Geldmacherei” by David Baum (a far less than positive experience).

Links to other articles/interviews will be added, as I know there are a couple being processed I will be very glad to share here.

Neu bei @sternde: “Mitglied der Chiricahua Apache/Cherokee verurteilt Neuauflage von Winnetou: “Hier geht es um Geldmacherei” #ForgetWinnetou

24 August 2022 von David Baum – @STERN.DE: “Die Debatte um die Neuauflage des Winnetou-Stoffs geht weiter. Uschi Glas, die Karl May-Gesellschaft und Franz Josef Wagner haben sich geäußert. Im stern kommen die Betroffenen zu Wort: Red Haircrow ist Mitglied der Chiricahua Apache/Cherokee und kritisiert die Winnetou-Bücher und -Filme bereits seit Jahren – unter anderem in einem Dokumentarfilm.”

Der Titel und die Informationen über unseren Dokumentarfilm sind völlig unwahr, wie die Filmbeschreibung eindeutig besagt, und die Sie auf unserer FAQ-Seite nachlesen können.

  1. Ist der Film eine Analyse von Karl Mays Werk oder der Figur des Winnetou?

NEIN. Wie unsere Filmsynopse besagt, geht es in diesem Film um:

a) Rassismus, weiße Vorherrschaftsideologie und/oder Eurozentrismus beim Missbrauch von Natives und anderen Gruppen und ihren Kulturen, ob gut gemeint oder nicht
b) die Auswirkungen solcher Verhaltensweisen und die Verbindung zu anderen zeitgenössischen Themen, und
c) die Korrektur weit verbreiteter Stereotypen durch die Vermittlung korrekter Kenntnisse über indigene Völker in erster Linie durch indigene Personen.

Und…. Wer ist noch der Meinung, dass man die Fotos der jungen Schauspieler nicht mehr zeigen sollte, sondern stattdessen den Regisseur, den Produzenten oder die Geldgeber des Films? Ich denke, das ist unfair gegenüber den Schauspielern. Sie haben den Film nicht geschrieben. Sie waren keine Redakteure beim Ravensburger Verlag.

#FEAR is today’s “Fire!” – Western society’s manipulation of Fear as Justification for Racism & Cultural Appropriation

Sharing a post extremely relevant to the recent avoidable controversy of a well-known publisher freezing delivery of a publication some deemed promoting racism and stereotypes of Native Americans. The same publisher (and others) were challenged and petitioned years ago to instead support fiction and non-fiction writing and translated material by actual Native Americans on Native Americans (sometimes working in collaboration/cooperation with non-Natives also). As you see, it was ignored despite Native American organizations, groups and individuals making it easier than ever before to work together in positive ways that do not perpetuate racist stereotypes, misrepresentation and appropriation.

Oh, and the people fearmongering, “They’re trying to take everything from us!” “It’s just fiction!” Absurd, easily debunked rationalizations. A few resources, Illuminative, Reclaiming Truth, American Psychological Association. Some of this research is decades old, how are so many under-informed, under-educated?

From redhaircrow.com:

A recent social media post by Johnnie Jae, one of the outstanding Native protagonists in our documentary, “Forget Winnetou! Loving in the Wrong Way”really hit the “nail on the head” of what major, life threatening issues we see in western society that are centered on rising racism, xenophobia and intolerance of all kinds. Johnnie works in so many ways not just for Native peoples but all peoples, especially those minoritized or “othered” for being “different”. CLICK THE IMAGE FOR FULL-SIZE.

We definitely see this happening in #Germany, too. Stereotypes and the process/mechanism of “Othering” is a symptom of deep fear generated by racism and white supremacist ideology and beliefs. It is manipulated by leaders and politicians, businessmen and corporations. #45 still didn’t elect himself. The #AfD didn’t win more seats by electing itself. It was more and more “conservative” people who still falsely think themselves non-racist, and believe they are just protecting their own interests.

Red Haircrow​’s response to OP: “I was just writing an essay about that the other day. Fear permeates America, cultivated and manipulated fear. And if you don’t have that kind of fear evidenced by your behavior, your being, your outlook, whether its due to knowing your culture, accepting of your sexuality, confident in your beliefs etc? You receive pure rage, jealousy, hatred or carefully covered envy from them in every interaction with you.”

So too, this hate, envy, rage are some of the responses we receive when we dare to call hobbyism and cultural appropriation, systemic racism. For example, when we dare to point out it is exploitation, theft and facilitators of the cycle of genocide, the refusal to repatriate human remains and sacred items and objects. We see hatred and resentment in the eyes and actions of those who willfully “redface” and steal other peoples cultures without care for the harm it does to all people. They cry, “It’s part of our culture. No one has the right to take it away!” So, RACISM is your culture? Seems about right.

We see hatred and resentment in those who demolished and had their own cultures and traditions twisted to Nazism, who are afraid to learn of their true ancient culture and ways, because they might find them self accused of being a sympathizer. Instead they appropriate, misrepresent and misuse other cultures and peoples, using white privilege and violently gained power they claim to reject.

We see hatred and resentment in those who cry, “We’ve suffered enough!” who believe they are not racist, when their beliefs and choices are based on racist, discriminatory stereotypes and practices. Alternatively, there are those who are openly racist and xenophobic, trying in a warped effort to re-create “their culture”, yet it is spoiled by white supremacist ideology. You do deserve to know your culture, but it wasn’t POC who took it away. It was YOUR OWN PEOPLE who screwed it up. Hate is NOT a culture. And if you know your culture, you don’t feel threatened by others.

It’s no wonder some do try to escape through hobbyism or appropriation, but that’s loving in the wrong way. Germany doesn’t know how to save itself. Even those trying to keep from sinking into full neo-Nazism and white supremacy don’t know how because they continue to look to leaders and politicians to make the changes. In Indigenous ways, the power is in the PEOPLE. Change in the US, in Germany, anywhere will only happen when the PEOPLE stand up against intolerance, elitism, racism, xenophobia and hatred, whatever their background, ethnicity, sexuality, gender or anything else, when they stand TOGETHER against hatred and harmful self-interest of any kind.

Another major problem in Germany, too, is that so many groups work just for themselves, one of the main ones being white feminists, who have gained more power but use it to oppress and discriminate against others (aka, “We have it harder than you!” they say to WOC/POC who have all that AND racism to contend with). They do not know how to work together, and they’ve never known how to fight. Most don’t have the courage to make the hard choices, in that yes, Indigenous peoples have the clear advantage. Basically, we’ve had to because of you, the Europeans, the colonizers.

THAT is what white people get threatened by, that is what they’re afraid of, but they can’t admit to themselves, so they just strike out violently or want segregation. In many ways, most Europeans today are the survivors who capitulated and accepted forced conversion. Most Originals fought to the death. It’s no wonder some seeking “originality” in the far right, more often seek warrior traditions. Yet they direct their violence to the wrong group, and they must do it in a pack, mobs of hate-filled, angry scared people. Or the political and wealth elitists who don’t give a damn for any of us really.

Most of them can’t stand to even SEE a person of color, because deep down they know we have survived and will survive despite them, and they do not have any advantage except the racist structural power they gained through horrific violence. They want to go back to violence (if necessary they say, we see it especially in the USA) but it is easy to kill, to be violent. It takes wisdom and courage to be around others, to listen, to learn, it have humility and an open heart. They cannot understand how even just ONE of us will stand up against a hundred of them, guns, conditioned dogs, tear gas or whatever. It is our beliefs, our cultures, our peoples and traditions that make us strong in that way. They are terrified, jealous and envious of that, and too entitled, proud and lacking in humility, in true self, to understand how and why we are that way, and how they too can become that way.

Please read the words of Wanbli Gleska Tohake, who was also heard in our documentary. CLICK TO SEE FULL-SIZE. 

When people say the world is doomed, if they are talking about people and groups like that, I would agree. People like that are willing to let the whole world burn, just so they can feel they are right. Otherwise, NO, I am not letting people like that destroy the future for my son or any children, who all deserve better than this self-centered, selfish, immature bullshit of Europeans and colonizers who are entitled and privileged yet still maladjusted, needy and arrogant.

PEOPLE, how do we work together to make a better future for all children? It will not be by following Eurocentric, Eurocentrized compartmentalized, ethically, morally and culturally weak ways that has gotten western society to the hot mess it is today through historical amnesia, self-delusion and violence.

Deutschland fördert weiterhin schamlos die Stereotypen der indigenen Gruppe. Das ist rassistisch. Forget #Winnetou #RedFace

Aus dem Jahr 2017, mein der Freitag Interview mit Matthias Dell über unseren Dokumentarfilm und die Stereotypen der indigenen Gruppen. Aber…es geht nicht darum, dass es langweilig ist. Außerdem wird in diesem Film eine scheinbar queere Figur als etwas Böses dargestellt. Dies ist ein weiteres schädliches Stereotyp und eine Troupe einer marginalisierten oder minorisierten Gruppe. Deutschland fördert weiterhin schamlos die Stereotypen der indigenen Gruppen. Rassismus und Stereotypen.

Deutsche wie diese indoktrinieren Kinder weiterhin mit rassistischen, kolonialen Praktiken. Praktiken und Verhaltensweisen, die in der Ideologie der weißen Vorherrschaft und des Eurozentrismus wurzeln.

Sie lehren auch Vergewaltigungskultur und -mentalität. Das bedeutet, zu ignorieren, wenn jemand sagt: “Nein, bitte hör auf, du tust mir/uns weh”.

Und man bringt ihnen bei, mit “Ja, das werde ich/wir! Weil es sich für mich gut anfühlt.”

Was für eine schreckliche Sache, die man Kindern beibringt! Und wie wir in der Welt um uns herum sehen, sind die Stereotypen von Geschlecht, sexueller Orientierung, ethnischer Zugehörigkeit usw. All das ist schädlich und unnötig, aber Regisseure und Autoren wie diese werden weiterhin finanziert. Wer finanziert solchen Rassismus?

Kürzlich habe ich den Film PREY rezensiert, der sich positiv auf die Arbeit mit indigenen Nationen und Völkern bezieht und ihre Kulturen und Geschichten auf nicht rassistische Weise darstellt. Natürlich PREY nicht für Kinder geeignet, aber meine pädagogische Rezension enthält viele Informationen, die jedem helfen, sich gegen hartnäckige, vorsätzlich rassistische Filme zu informieren.

#FORGETWINNETOU! LOVING IN THE WRONG WAY

Zusammenfassung unseres Doku-Film: “Dieselbe Haltung, die das Recht indigener Völker auf Selbstdarstellung ignoriert, ist es auch, die GLBTIIQ-Menschen, Frauen, Behinderte oder wirtschaftlich Benachteiligte, insbesondere People of Color, stereotypisiert und gaslighted, d.h. ihnen die Realität ihrer Erfahrungen abspricht, nur weil sie sich Veränderungen und Gleichberechtigung wünschen. Im Grunde heißt das: “Meine Freiheit und meine Bedürfnisse sind wichtiger als deine Würde, deine Rechte oder sogar dein Leben.” Es ist eine sich überschneidende Unterdrückung.

Die meisten Filme über Native Americans konzentrieren sich auf europäische Erzählungen oder indigene Erfahrungen in Nordamerika, aber es gibt auch Native Americans im Ausland, und im “indianerverrückten” Deutschland – “auf die falsche Art geliebt” zu werden, hat viele Formen. Deutschland ist ein Mikrokosmos der Kämpfe, die überall auf der Welt stattfinden, sowohl gegen als auch für die Dekolonialisierung; für die Überwindung der weißen Vorherrschaft und des Imperialismus, die unsere Welt gespalten und zerstört haben.

Wir erforschen die Wurzeln von Rassismus, Kolonialismus und Kultureller Aneignung in Deutschland aus einer selten beachteten Perspektive: dem Stereotyp der indigenen Amerikaner, die sie zu verehren vorgeben.


Warum diese ” Charaktere ” so rassistisch und schädlich sind

Von der APA:

“Solche Aussagen wurden nach Forschungen über Maskottchen, Karikaturen und Vorurteile zum Thema Natives im Rahmen einer Resolution der American Psychological Association aus dem Jahr 2005 bestätigt. Die Organisation forderte ein sofortiges Ende solcher Darstellungen auf Grund der negativen Auswirkungen, die diese nicht nur auf die Natives, sondern auf alle Menschen und insbesondere auf Kinder haben.

Die Forschung hat gezeigt, dass die fortgesetzte Nutzung von amerikanisch-indianischen Maskottchen, Symbolen, Bildern und Persönlichkeiten auf Grund folgender Punkte nicht nur eine negative Auswirkung auf die Schüler amerikanisch-indianischer Wurzeln, sondern auf alle Schüler hat:

• Sie untergräbt die Bildungserfahrung aller Gemeinschaften – insbesondere bei solchen, die wenig oder gar keinen Kontakt zu indigenen Völkern hatten.
• Sie lehrt Kinder nicht-indianischer Herkunft, dass es in Ordnung ist, an kulturell missbräuchlichem Verhalten teilzuhaben und Ungenauigkeiten über die Kultur der Indianer Amerikas zu verbreiten.
• Sie bestätigt negative Bilder/Vorurteile, die durch den Mainstream befördert werden
• Sie vermindert die Fähigkeit der indianischen Nationen Amerikas, akkurate und respektvolle Bilder ihrer Kultur, ihrer Spiritualität und ihrer Traditionen zu vermitteln. Viele Indianer Amerikas beschreiben die Vorurteile als respektlos und als Beleidigung gegenüber ihren spirituellen Überzeugungen.
• Stereotype Wahrnehmungen von Natives sind ein zeitgenössisches Beispiel für Vorurteile und eine Form der Diskriminierung einer ethnischen Minderheit durch eine herrschende Kultur.”

Translated with permission from the APA. Lesen Sie das vollständige Dokument hier: http://www.apa.org/pi/oema/resources/indian-mascots.aspx.


Weitere Ressourcen

P.S. Mein Deutsch ist nicht perfekt, aber Sie sollten sich darauf konzentrieren, die Message zu verstehen.

Hinweis: “Deutschsprachige Länder”, zu denen auch österreichische Produktionen gehören. (edited 23 Aug 2022).


Shared from redhaircrow.com: “The Love of #Stereotypes: It Starts Early In Germany, too” – #WesternSociety

This is a post from 2017 or so from redhaircrow.com, but is more relevant than ever before (unfortunately). Despite all educational efforts by their more enlightened peers and us, Germans willfully persistent in fetishization, erasure/replacement and stereotyping behaviors. There’s a willful insistence in ignoring this is a component of racism, related to colonialism and Eurocentrism AND/OR also accompanied by refusal to acknowledge the connection of accepted Native American stereotypes and misuse of Native cultures and peoples to the hatred, intolerance, conflicts and wars escalating or being fomented around the world.

From childhood, this creates and nurtures the mindset and practice that certain peoples, groups or individuals rights to life, safety and self-representation can be ignored, dismissed or even mocked if they object. Adherence to white supremacy ideology and structural racism is what allows this demographic to widely continue, and even defend, such practices. Good to know, we and others of their peers will continue to promote respect for all peoples, whatever their ethnicity, sexuality, gender, etc. and not their “rape culture”. That is: ignoring when someone says, “No, don’t do this to me/us”, and they say, “Yes, we will because we want to. We don’t care if it harms you or We don’t believe it hurts you.” What a terrible thing to teach a child.

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Shared: Because many “others” “foreigners” specific ethnicities, and in this case “Indianer” or Native American Indians are only presented in shows, as entertainment, as costumed figures who are there to entertain Germans in some way…stereotypes abound here, and are expected and even demanded. Often you see the same rapt look and desire: “Teach us! Show us! Make us laugh with wonder! Cry with excitement, shudder with amazement, dread, outrage (as to native treatment of the past)” but whatever it is, they want what they want.

For Native Americans they expect, with very clear stereotype guidelines, how you should look, speak, engage, too. If you don’t look, act or perform as they expect, they are disappointed, dejected and dissatisfied. You must meet their expectations or you are not “real”, you are not “authentic.” The children cry and wail while parents comfort or ignore them, but seldom is there any factual, contexual (age appropriate, of course) information provided. Even in textbooks or other educational materials, having learn this propensity from the US and Canada, most “information” is stereotypical in nature and content, and from non-native sources or Europeanized (a.k.a. colonized) mindsets tailored to keep non-natives comfortably within established, if fabricated, parameters.

And they are actively, dismissively resistant to calls for historical accuracy, cause and effect, contemporary realities or even simple truths, especially if conflicting with German or Euro-American perspective. I designate “Euro-American” primarily because just American suggests white American, whether its white Americans or Germans saying it. Here, if they know you are from America and you’re black, you’re just black, but they’ll also say black German, black American, and so on, but whites from the USA are just American. That should tell you something…if you’re honest.

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In the intro image, a week long children’s workshop about Brazil is taking place in Berlin, which doubtless (unlike smaller towns) will have actual Brazilian people involved to “demonstrate” Brazilian “rituals”. The programme was created and written by the well meaning but Euro-heavy Labyrinth team, to provide free entertainment for children, particularly refugees. If they are so open-minded why are not minority educators on the team, as there are many well educated ethnic professionals across Berlin. Wouldn’t fit the paradigm?

There’s a strong component of “silencing” or speaking for POC, when white people take it upon themselves to speak and decide for others, in particular minorities, with little or no input from those minorities. It’s a form of patting themselves on the backs and receiving praise from European peers on how good and progressive they are, being the saviors for poor (predominantly POC), without understanding why this model is deeply problematic and smacks of what called “The White Savior” syndrome. Historical context, power dynamics, objectification and racist structures.

Mexican restaurants are supposed to have Mexican music playing, immediately recognizable “Mexican” music, and stereotypical Mexican persons speaking Spanish (a European language, while the country itself has over 60 indigenous languages being spoken, more than all of Europe!). Black Americans should be called “Bro!”, know hip-hop and rap music references and offered “fist bumps” so they can feel cool and hip when they are returned. Eastern Asians, be they Korean, Japanese or Chinese, should be agreeable at all times, rather shy and apologetic, naivé but intelligent. That’s allowed, it’s non-threatening.

Asians might be mentally allowed to be engineers, even doctors, while Mexicans should likely be working at restaurants, central or South Americans must always funny and cheerful, and Native Americans are dancers in western theme parks or visiting for a show. Even if you wear a business suit, if you’re African, you may be a drug dealer. Higher education? Why would minorities do that? It’s not like you’ll get anywhere in German society besides working strictly in a capacity where your ethnicity is why you are there in the first place.

Managers, police officers, working in social services or on company boards or even playing them on TV or in film? Highly unlikely. Comments like “but you’re (supply ethnicity)” abound, which is the incredulous sometimes confused equivalent of “No”, when they don’t want to actually say “no” because of what that would strongly indicate about their self, their company or society. If you give any criticism they will blow a “How dare you?!” gasket.

Above all, whatever you are as non-Germans, you should be ready and willing to supply whatever emotional boost they need, satisfy and answer their every query, while being careful to self-deprecatingly keep them in their comfort zone (no challenges or return questions!) while they lay layer after layer of stereotypes on you. Or alternatively (or strategically interspersed) they know all about you because they read it in a book or so-and-so has a ______friend, and they will argue until doomsday they are right because_________.

So their children learn objectification, stereotypes, and attitudes and behaviors that can lead to cultural appropriation and dehumanization, and which continue the cycle of imbalance of racism, power and perception. It all starts in childhood.

So why do minorities stay in Germany, with the widespread “them vs. others, normal vs. others” mentality? What is the appeal, the attraction, the thrill? For those I talked to, it isn’t because Europe or Europeans are so great. It is often more attributable to the communities of color that form in support and protection of each other, a response to being stereotyped, misrepresented and discriminated against so widely in society. In the case of Natives or other POC, you receive it in your “home” country, too, because white people there are immigrant/invaders living on stolen ground. Where can you ever be treated equally, respectfully, humanly?

Interviewed for “Ich bin kein Kostum!” #CulturalAppropriation #Racism & #Discrimination in #Germany – Airing 13 Feb on #3Sat

Karnevalsverein -De Poller Böschräuber. No copyright infringement intended, please visit the main website accessed from the link in the post.

Airing 13 February 2021 at 19:20, “Ich bin kein Kostüm!” a documentary by Karsen Gravert, ZDF and Tobias Winkler / Kobalt Productions. I was interviewed along with other educators and specialists on the topics of cultural appropriation, discrimination and the real effects of racism, privilege and apathy in Germany. Will it be a hardline based on our commentary or another apologist or “There’s good people on both sides” type of production? We’ll see.

“Sollten sich weiße Schauspieler das Gesicht schwarz schminken? Sollte man Dreadlocks tragen? Sollte man sich beim Fasching mit “Indianer”-Federn schmücken? Nein, sagen Vertreterinnen und Vertreter ethnischer Minderheiten. Karsten Gravert lässt in der 3satKulturdoku “Ich bin kein Kostüm! Die Debatte um kulturelle Aneignung”, am Samstag, 13. Februar 2021, 19.20 Uhr, in Erstausstrahlung in 3sat, alle Seiten dieser Diskussion zu Wort kommen.

Die deutsche Liebe zur Indianerverkleidung reproduziere rassistische Stereotype, sagt der Native American Dokumentarfilmer Red Haircrow. Auch wenn es aus Bewunderung heraus geschehe – ob bei den Karl-May-Spielen oder beim Karneval. Alexander Klaws meint: “Wenn sich mein Sohn als Indianer verkleidet, dann macht er das, weil er das toll findet. Ich möchte mich verkleiden, eine Feder tragen und diese Welt, diese Kultur damit ehren. Wie soll ich bitte meinem Sohn erklären, dass er das nicht darf?”


ENGLISH

“Should white actors put black makeup on their faces? Should people wear dreadlocks? Should people adorn themselves with “Indian” feathers at carnival? No, say representatives of ethnic minorities. In the 3sat cultural documentary “Ich bin kein Kostüm! Die Debatte um kulturelle Aneignung”, on Saturday, February 13, 2021, 7:20 p.m., first broadcast on 3sat, all sides of this discussion have their say.

The German love of Indian dress reproduces racist stereotypes, says Native American documentary filmmaker Red Haircrow. Even if it’s out of admiration, he says – whether at the Karl May plays or at carnival. Alexander Klaws says, “When my son dresses up as an Indian, he does it because he thinks it’s great. I want to dress up, wear a feather and honor this world, this culture with it. How am I supposed to explain to my son that he’s not allowed to do that?”

DO YOUR JOB TO NOT PERPETUATE RACISM AND EUROCENTRISM, AND TEACH YOUR CHILDREN TO BE RESPECTFUL OF OTHER CULTURES AND PEOPLES! It’s NOT HARD.

READ MORE ABOUT THE PRODUCTION HERE.