Trailer Selected For Screening at Avanca Film Festival 26-30, 2017

Pleased to announce our Forget Winnetou- A Documentary Film trailer selected for screening at Avanca Film Festival, 26-30 July 2017!

To view our first official trailer, you can do so here.

“What does a world that respects Indigenous peoples look like, that’s working towards ending racism, colonialism, and other intersecting oppression on a global scale?” -Andrea Marcos

Most films about Native Americans focus exclusively on Native experience in North America, however stereotypes of the original peoples of Turtle Island have spread around the world even as more Natives are living or working abroad. And Germany has one of the most notorious and beloved, sometimes fiercely defended symbol named “Winnetou”, a stereotypical American Indian created by German author Karl May in the late 19th century.

Decades later, despite its inherent racism and colonial nature, the heavily Eurocentrized  fictional native and his pseudo Apache tribe are still recreated in films spreading misinformation to new generations. Although surely not the intention, it is still culturally abusive practices that deliberately ignore Natives and others who object, and minimize and/or dismiss multiple research studies on the harm of such behaviors to everyone in society. This must end.

“Just because it’s fiction, doesn’t mean it’s harmless.”

“Reeducating the resistant.”

 Recent promotional interviews:

15 June 2017-At Institut für Sozialwissenschaften in Berlin: “#RepresentationMatters: Decolonizing Indigeneity”

15 June 2017- Directors Red Haircrow & Timo Kiesel will be at Institut für Sozialwissenschaften at Humboldt University in Berlin, to present “Representation Matters: Decolonizing Indigeneity”. Forget Winnetou.

For more information, please visit its Facebook event page, details in Deutsch and English. The presentation will be in both languages as well.

Headdresses at carnival, childhood games, books sold by the millions for generations: iconic colonial racist imagery such as Karl May’s fictional character Winnetou keeps shaping our distorted images of indigenous North American cultures and histories. Together with author, film maker and psychological counselor Red Haircrow and with Timo Kiesel, film maker (“White Charity” 2011) and member of glokal e.V. we will discuss how representation of indigenous people and First Nations in the Americas and Germany are entangled with the material reality of social inequality and indigenous struggles for sovereignty, environmental justice and survival. The event is bilingual and located on ground level.”



Karnevalskostüme, Kindheitsspiele, Bücher in Millionenauflage seit Generationen: Kolonialrassistische Imaginationen mit Kultstatus wie jene rund um den fiktionalen Charakter Winnetou von Karl May prägen unser verzerrtes Bild indigener nordamerikanischer Kulturen und Geschichten. Gemeinsam mit dem Autor, Filmemacher und psychologischen Berater Red Haircrow und mit Timo Kiesel, Filmemacher („White Charity“ 2011) und Mitglied bei glokal e.V. wollen wir diskutieren, wie fremd- und selbstbestimmte Repräsentation von indigenous people und First Nations in Deutschland und den Amerikas mit der materiellen Realität sozialer Ungleichheit und mit indigenen Kämpfen um Souveränität, environmental justice und Überleben verwoben ist. Der Workshop ist zweisprachig. Der Ort ist ebenerdig zugänglich.”

Presentation on 2 June 2017 at The University at Saarland: “Indigenous Pop Culture”

Director Red Haircrow, will give a presentation at the “Indigenous Popular Culture Conference” at Saarland University in Saarbrücken, Germany. The conference is titled; “A Long Time Ago on a Reservation Far, Far Away: Contemporary Indigenous Popular Culture across the Globe.”

ABSTRACT: “While many people express growing boredom with Hollywood and other western film studios producing sub-standard, unoriginal movies or rebooting television series or films of the past, the Native indie film industry is booming. Despite the low ebb of unique productions to which even Hollywood admits, scripts by people of color, including Natives, continue to be rejected and ignored primarily because they don’t fit the stereotypical material usually churned out about them by others.

Thus, more Native filmmakers today than ever before are writing, filming and sharing their own work, by Natives for everyone, representing and presenting themselves and their stories, whether fiction or non-fiction. More Native artists and filmmakers are collaborating and coming together in events, such as the Indigenous Comic-Con whose inaugural celebration took place in November 2016, to encourage and promote each other. It is also open to the public, and all are welcome.

Discussion will include why films about Natives made by Natives so important; what the issues and benefits are both for Native individuals, nations and communities, and non-Natives; and the intersectionality of native films with social justice, activism and sovereignty. Material will include visual examples of contemporary native films, filmmakers, production companies and organizations, such as A Tribe Called Geek that (among many other things) reports on, encourages and promotes contemporary artists and filmmakers.”

Contact about program & registration:
Svetlana Seibel, M.A.
amerikanistik@mx.uni-saarland.de

#Documentary Participants: Upcoming & Recent Interviews for “Forget Winnetou!”

  •  Dr. Harmut Lutz, German author on the “Indianthusiasm” phenomenon, and professor at University of Szczecin.
  • Dr. Frank Usbeck, German author and professor at Leipzig University.
  • Hengameh Yaghoobifarah, of Middle Eastern descent and German citizen, author, feminist, activist on cultural appropriation, anti-racism & more.
  • Donna Fann-Boyle, Native activist, mother and long-time campaigner against native mascots, seen in the documentary, The R-Word. See their trailer here.

Our Crowdfunding Campaign Nears Its End

Whether we reach our funding goal or not, we will finish Forget Winnetou! Please support our documentary by sharing our information and/or contributing what you can. We realize some do not wish to use the IndieGoGo or Paypal interface, so are Gbr bank details are available, just contact us through the convenient template form.

PLEASE VISIT OUR CROWDFUNDING CAMPAIGN AT INDIEGOGO!

How you can support us:

  • Donate: we appreciate whatever amount you contribute!
  • Spread the word about our project to friends, family and colleagues!
  • Talk to us, interview us and write articles about our project!
  • Follow us on social media (Facebook, Twitter, Instagram) share our updates and news!
  • Sign up for our newsletter: http://eepurl.com/cuI57z

Wie könnt Ihr uns unterstützen

  • ganz wichtig: Unterstützt unser Crowdfunding und habt Anteil daran, dass unser Film Wirklichkeit wird
  • Erzählt von unserem Projekt und leitet unseren Aufruf zum Crowdfunding an Freund*innen, Familie und Kolleg*innen weiter
  • Ladet uns zu Workshops und Vorträge ein
  • Folgt uns in den sozialen Medien (Facebook, Twitter, Instagram)

Latest News & Interviews

Recent articles and interviews about our documentary, and featuring interviews by Red Haircrow, can be found at the links below, and also in print edition. Both are in Deutsch.

March 23rd at Der Freitag- „Ich bin nur dem Nein begegnet“ by Matthias Dell

 

 

March 3rd at Süddeutsche Zeitung- Glaubensbekenntnis Red Haircrow by Ronen Steinke

 


Director Red Haircrow was in studio at Deutschlandradio Kultur‘s radio show “Kompressor” talking about our documentary and crowdfunding campaign, and the continuing rise of indigenous resistance, which was sparked by the Standing Rock camps against the Dakota Access Pipeline. Online article in Deutsch, and available as a podcast in the same. The English version of the podcast can be found at the end of the article.


 

DIGITAL CAMERA

Why our documentary & information is even more important and timely! Colonialism & racism is a killing and crippling disease and stereotypes and objectification are symptoms. Article by Red Haircrow regarding the Karl May Museum’s curator, Robin Leipold, February 21, 2017 “case study” release on the Native American human remains they continue to refuse to respectfully repatriate. German author Karl May created the pseudo-American Indian character/symbol “Winnetou.” Please read Leipold’s article, which many informed on decolonization have criticized for it’s inherent white privilege and supremacist assumptions and stance.

German Museum’s Lastest on Human Remains? WE Decide, Not You. We’re in Control.


11emailOur crowdfunding campaign continues, please help us reach our goal! Timo & Red have been researching and working on this project for years, completely out of pocket, and are trying to finish up the documentary. Visit out IndieGoGo campaign link or if you’d rather contribute via a German bank account transfer, please contact us via the template form accessible through the left hand menu.


yvpnznsxWe’re pleased to have Johnnie Jae as an interviewee! Speaking on Native #Stereotypes, the effects on all concerned, sure, but mostly on what Natives are doing now. What’s going on? How do Natives respond to continued misrepresentation? Why is decolonization so important?

“Johnnie Jae is of the Otoe-Missouria and Choctaw tribes of Oklahoma, the founder of A Tribe Called Geek, managing partner of Native Max Magazine , and contributor to Native News Online. She is the manager and producer for the Success Native Style Radio Network. She is also a founding board member of Not Your Mascots and Live Indigenous OK.”
Description and her podcast interview on NextGen Natives.