#Radio #Podcast- 8 Dec on Reboot.fm: Que Kenny, Rachel O’Reilly & Red Haircrow on #Colonialism #Fracking

Description from Reboot.fm website.

“INFRACTIONS is an artistic feature documentary in dialogue with frontline Indigenous cultural workers’ struggles against threats to more than 50% of Australia’s Northern Territory from shale gas fracking. It was commissioned by the KW Production Series.
Don’t Frack the NT features a discussion in Berlin with one of the film’s protagonists Que Kenny, with Red Haircrow, and the director, Rachel O’Reilly.

Que Kenny is a Western Arrarnta woman, community support worker and activist from Ntaria (Hermannsburg), 130km west of Alice Springs in the Northern Territory, also studying law at Deakin University, Melbourne. She has been involved in grassroots campaigns against the Northern Territory Emergency Response (‘The Intervention’) since 2007, and against Northern Territory gas fracking with the Protect Country Alliance.

Red Haircrow is an award-winning writer, educator, psychologist and filmmaker of Native (Chiricahua Apache/Cherokee) and African American heritage. They have an MA in Native American Studies, a Bachelor’s of Science in Psychology and counsel selectively. Special focus of Haircrow’s work includes Native/Indigenous and BIPOC inter-generational historic trauma, Autistic Spectrum Disorder, GLBTIIQ needs and suicide prevention. https://redhaircrow.com/

Rachel O’Reilly is an artist, critic, curator and PhD researcher at Goldsmiths’ Centre for Research Architecture, and theory seminar leader at the Dutch Art Institute. Her artistic work and research have been presented internationally, most recently at Van Abbemuseum, Eindhoven; E-flux, New York; and UNSW Galleries, Sydney. She co-wrote On Neutrality with Jelena Vesic and Vlidi Jeric, and publishes with Danny Butt on artistic autonomy in settler colonial space. She lives in Berlin.

More info on context and campaigns:

https://www.protectcountrynt.org.au/

Gastivists Home

First Nations on the frontline work hard to protect culture through art and music.
From Infractions, see:

The Sandridge Band, played on RebootFM, also on iTunes:
https://mobile.facebook.com/pages/category/Musician-Band/The-Sandridge-Band-333448726671790/?_rdc=1&_rdr

Dimakarri Dixon, debut album:
https://m.facebook.com/events/fortyfivedownstairs/standing-strong-album-launch/719203481874800/?_rdc=2&_r

 

 

 

4 Dec -#Films Screening Event and Q&A “UNSEEN UNHEARD // The #Indigenous Perspective” in #Berlin

2019 has been extremely challenging, succinctly put. Endeavoring to finish up my next documentary by the end of this year, a shorter work titled, “ALMOST” on reality, identity and Indigeneity,  and the effects of stigma and prejudice. But before that, I have a couple of more screenings scheduled.

On this Thursday, 21 November, in cooperation with Xart Splitta, there’ll be a screening of “Forget Winnetou! Loving in the Wrong Way”, followed by a discussion with Filipina-German PhD candidate, activist and academic, Karin Louise Hermes.

On 4 December, I’m looking forward to the event being organized by Lada Suomenrinne, a Northen Samí filmmaker and photographer.

Image from Lada

UNSEEN UNHEARD // Indigenous Film Screening.  Program:

Unseen unheard is a selection of films about the indigenous perspective and experience curated by the young Sámi filmmaker and photographer Lada Suomenrinne.

The films by indigenous filmmakers from Norway, Finland and the USA deal with contemporary issues of the First Nations like the fight for land rights and against industrial destruction, decolonization and cultural appropriation. The screening will start at 19H in ACUD STUDIO and will followed by Q&A with Berlin based filmmaker Red Haircrow.

List of filmmakers:

Sunna Nousuniemi- Dissociate (Sámi)
Sky Hopinka- Dislocation Blues (Ho-Chunk/Pechanga)
Elle Márjá Eira & Mai-Lis Eira – The Sámi has rights (Sámi)
Blackhorse Lowe- Shimasani (Navajo)
Red Haircrow- Forget Winnetou! Loving in the wrong way (Chiricahua Apache/Cherokee)

FACEBOOK EVENT PAGE

VENUE PAGE 

21 Nov. #Documentary #Screening & Discussion in #Berlin with Xart Splitta & Guest – Karin Louise Hermes

  • Where –  Xart Splitta, Hasanheide 73, 10967 Berlin
  • Time – 7pm-10pm
  • Language– German & English (film & discussion)
  • Cost – Donations accepted
  • Facebook Event page

November is Native American Heritage Month, a national holiday in the USA. But there and here in Germany, the dehumanization and objectification of Indigenous peoples, and the minimization or erasure of historical acts and issues continues. Colonial behaviors and practices that are connected to the most serious, even life threatening problems humanity now faces.

Germany is well known for its cultural appropriation and ideation of American Indians. Misinformation, stereotypes and Eurocentric narratives are widespread. “Playing Indian” as a costume or a lifestyle has been normalized for generations, largely with the help or excuse of Karl May’s work.

Whether one agrees with such practices or not, most don’t recognize it for what it is: #Colonialism2019 and Systemic Racism. Why are Native and Indigenous issues too often left out of conversations on racism in Germany? Why do so many people, even anti-racism or social justice activists continue to tokenize/primitize Indigenous peoples and/or leave them out of conversations on how to survive and create a better world for all peoples?

What truly is intersectional activism and why is it critically important for Indigenous peoples, the history of their treatment and contemporary reality to take stage alongside any and every other action on anti-colonialism, anti-racism and climate crisis? What can you do? What should you do? How can we work together?

We’re going to talk about it on 21 November!


Meet our guest:

Karin Louise Hermes is a Filipina-German academic based in Berlin, Germany. Karin has participated in, organized and reported on many inter-sectional political issues at climate crisis conferences, during direct actions and demonstrations and other endeavors on Indigenous self-representation, ending racism and colonialism. She holds a MA in Pacific Island Studies from the University of Hawai’i, and is a PhD candidate in American Studies at Humboldt-Universität Berlin. One of her articles, “Why I protest“.

#Documentary Screening and Q&A -Why are Native/Indigenous issues too often left out of #racism discussions in #Germany?

Artwork by Natasha John

In cooperation with xart splitta, a screening and discussion at their location in Berlin. Facebook event page.

  • Where: Hasenheide 73, 10967 Berlin, Germany
  • When: 21 November 2019
  • Time: 7pm-10pm

November is Native American Heritage Month, a national holiday in the USA. But there and here in Germany, the dehumanization and objectification of Indigenous peoples, and the minimization or erasure of historical acts and issues continues. Colonial behaviors and practices that are connected to the most serious, even life threatening problems humanity now faces.

Germany is well known for its cultural appropriation and ideation of American Indians. Misinformation, stereotypes and Eurocentric narratives are widespread. “Playing Indian” as a costume or a lifestyle has been normalized for generations, largely with the help or excuse of Karl May’s work.

Whether one agrees with such practices or not, most don’t recognize it for what it is: #Colonialism2019 and Systemic Racism. Why are Native and Indigenous issues too often left out of conversations on racism in Germany? Why do so many people, even anti-racism or social justice activists continue to tokenize/primitize Indigenous peoples and/or leave them out of conversations on how to survive and create a better world for all peoples?

What truly is inter-sectional activism and why is it critically important for Indigenous peoples, the history of their treatment and contemporary reality to take stage alongside any and every other action on anti-colonialism, anti-racism and climate crisis? What can you do? What should you do? How can we work together?

We’re going to talk about it. Guests: TBA.


More about xart splitta: “xart splitta was founded in 2012 and is a non-profit association working in the field of intersectionality, antidiscrimination and (historical) political education. We work interdisciplinary and our formats and offers range from workshops and consultations, art & cultural productions to public discussions, conferences and symposia.”

March 2020 Seminar in #Berlin- “Becoming and Teaching Human Beings – Critical #Indigenous Perspectives for Daycare, School & Society”

23-24 March 2020, Red Haircrow will give a 2-day seminar: “Becoming and Teaching Human Beings – Critical Indigenous Perspectives for Daycare, School and Society at Institut für den Situationsansatz (ISTA) in Berlin.

Registration is open and can express your interest through their online form. The program is designed for every person, not just educators or teachers. You can download the calendar and flyer from their website to share. German description below.

Description

“The tendency to ignore the needs of certain groups to represent themselves is a big problem in western society and continues to adversely affect all our children. How can we change this by incorporating accurate Indigenous knowledge and values into our classrooms and societies? 

 

We provide a brief overview of accurate Native American history, contemporary issues and experiences in German schools as a guide in writing curriculum and planning activities. We outline what inclusion, not appropriation, looks like by presenting culturally appropriate examples and resources.

We provide research on the effects of stereotypes and bias towards Native and other peoples. We answer the question, “What is really learned by children when other cultures and peoples are misrepresented and misused?”

We provide a contrast/comparison model of Indigenous worldview and values vs. Western Society/European values. We discuss the effects of these values on things like gender identity and expression, food and living choices, belief systems and the world around us.

We discuss how humanistic, empathetic values were lost, and how this has affected our educational systems and models. Our focus is to (re)discover these values in ourselves and find the best ways to return these values to our classrooms and societies.

We discuss how to incorporate appropriate Indigenous knowledge and “awakened” practices in classrooms and raise awareness on why culturally sensitive curricula and activities are necessary. We will amplify and share Native voices from around the world to encourage critical thinking and decision making by listening to others, not reading rulebooks. We want to make a support system on a journey to create a better world for all children.”


Deutsch

“Die Tendenz, die Bedürfnisse bestimmter Gruppen zu ignorieren, um sich selbst zu vertreten, ist ein großes Problem in der westlichen Gesellschaft und wirkt sich weiterhin nachteilig auf alle unsere Kinder aus. Wie können wir dies ändern, indem wir genaues indigenes Wissen und Werte in unsere Klassenräume und Gesellschaften integrieren?

Wir bieten Ihnen einen kurzen Überblick über die genaue Geschichte der amerikanischen Ureinwohner, aktuelle Themen und Erfahrungen in deutschen Schulen als Leitfaden in Aktivitäten Lehrplan und Planung zu schreiben. Wir zeigen, wie die Aufnahme, anstatt Aneignung, aussieht. Wir werden kulturell angemessen Beispiele und Ressourcen geben.

Wir bieten Forschung über die Auswirkungen von Stereotypen und Ausrichtung auf Einheimische und anderen Völkern. Wir beantworten wichtige Fragen wie: „Was  wird wirklich gelernt, wenn andere Kulturen und Völker falsch dargestellt und missbraucht werden?“ und „Wie falsche Darstellung der indigenen Völker andere Diskriminierung in der Gesellschaft verbinden?“

Wir bieten einen Kontrast / Vergleichsmodell der indigenen Weltanschauung und Werte vs. der westlichen Gesellschaft / Europäische Werte. Wir besprechen die Auswirkungen dieser Werte auf die Geschlechtsidentität und Ausdruck, Lebensmittel und Lebenswahl, Glaubenssysteme unserer Umwelt.

Wir erörtern, wie humanistische einfühlsame Werte verloren wurden, und wie dies unseres Bildungssystem und Gesellschaft betroffen hat. Unser Fokus ist diese Werte in uns selbst (wieder) zu entdecken, und die besten Möglichkeiten zu finden, diese Werte in unseren Klassenzimmern und Gesellschaften zurückzukehren.

Wir besprechen, wie  man angemessenes indigenes Wissen und „awakened“ Praktiken in den Klassenzimmern übernimmt, und das Bewusstsein darüber, warum kultursensible Lehrpläne und Aktivitäten notwendig sind. Wir teilen Native Stimmen aus der ganzen Welt um kritisches Denken und Entscheidungsfindung zu fördern, indem sie anderen zuhören anstatt Regelbücher  zu lesen. Wir wollen ein Support-Systeme kreieren um eine bessere Welt für alle Kinder zu schaffen.”

“Victims vs. Perpetrators”- The Dehumanization Connection #Halle #Shooting #Antisemitism #Racism #Germany

Originally posted at redhaircrow.com.

A quote from our documentary, given by Dr. Hartmut Lutz, Professor Emeritus Griefswald University, who was a participant. It is critically relevant to the events at Halle, and the rising racism, violence & xenophobia in Germany…and western society in general. As with most things, somehow it becomes playing the victim yet again, even when doing horrific acts, minimizing or refusing to recognize/act against the obvious signs and rising racism & xenophobia. Dehumanization of others by whatever means, for whatever reason, has enormous consequences on a society. Stereotypes and stereotyping are not harmless.

“Victims vs. Perpetrators: as a German it is morally interesting to define oneself as victim”-Dr Harmut Lutz

“For Germans, dealing with Natives is quite a guilt-free space. They are not Hereros, they are not Jews, they are not Romnja and Sintezza, they are far far away. The German State never dealt with Natives, never colonized them. This is a rather comfortable space to enter. But cultural appropriation of Natives and hobbyism does not protect one from being racist. Not at all. Imagine the CULTURAL APPROPRIATION of Natives and ANTISEMITISM as two sides of the same coin.

Both have one thing in common: the process of Othering and the exclusion of fellow human beings. Through Othering one projects anything on someone else. And those projections and descriptions of others tell you much more about the person who projects and not about the “stranger”. These descriptions can be both positive and negative. Positive imaginations can be detached from realities that other societies are worshiped and adored in rather unreal ways.

On the other side, it can also be totally negative, they are dehumanized and constructed as subhuman objects. But both are ways of objectifying other people, either as objects of admiration and romanticizing or as objects of contempt…even killing. Through these extreme imaginations and projections, the actual people including oneself.”


The photo I took when I was in Halle in 2018 to discuss the film and its theme at the IDEENKONGRESS zu Kultur, Alltag und Politik auf dem Land. The violent, selfish, racist events of Oct 9, 2019 happened right outside the hotel where I’d stayed, at the döner shop I had visited. After the terrorist murders in Halle in Germany on Oct. 9th, where a white German gunner targeted a synagogue of members celebrating Yom Kippur.

It’s no surprise the admitted connection and inspiration by the murdering of innocents in Christchurch. Another young white male, entitled and privileged, full of hatred and angry, who feels “others” are threatening and taking away what is their right, their lands, their whatevers…. when the actual reverse has taken place across the world by that same demographic.

The connection is the accepted practice of DEHUMANIZE AND OBJECTIFICATION of “others”. Germans have done this to Native Americans for decades, passing along systemic racist practices and entitlement aka white supremacist ideology that it is okay to do so. This act of terrorist violence is another consequences of the willingness to use/categorize/label others. Flip sides of the same coin.

We’re a Finalist in the 2019 Overcome Film Festival! #Indigenous #Documentary #Films

Pleased to share our documentary has been selected as a finalist in the 2019 Overcome Film Festival. It’s especially amazing in that this is my first feature length documentary, as I’d described myself only as a slightly advanced beginner. It speaks to the intersectionality and importance of the topic, the strength and sincerity of the participants (see this here), and justifies the hard painful work so many of us put into the project, refusing to give up.

More about the festival, and head to their site to check out their partners and the many great causes they support:

“The 2019 Overcome Film Festival is the international event for all storytellers, filmmakers, and artists to tell the world their stories of survival and triumph over adversity. The 2019 official program will include Features and Short films in the categories of live-action, animation, narrative, non-narrative, experimental, and audiovisual poetry with 27 Award categories.

The Overcome Film Festival especially encourages and welcomes the entries of filmmakers all over the world who want to share their experiences in overcoming adversity or any other factor that has contributed to their growth as a person and motivated them to celebrate their existence. It is the focus of the film festival to give survivors a voice and a venue to share their life experiences and provide hope to others regardless of where they come from in the world.”

Clip from our new #documentary project “ALMOST”

A short clip from current #documentary project in production, Almost, on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are. Following the lives of four people on Asperger’s Syndrome, sexuality, gender and the effects of stigma and prejudice. It is currently in production, and will combine unique animated storytelling and live scenes to inspire hope and courage in these challenging times. Website.

Description:

“Almost normal. Almost acceptable. Almost indigenous.

Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical dis-/abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.

Some are embracing their differences in order to heal…and they’re connecting.”


  • Directed by Red Haircrow
  • Animations by Neda Ahmadi
  • Music by Johnny Clyde
  • Intro photo by Viveka Frost
  • Featuring Manuel Ricardo Garcia

 

October 14th at The #Indigenous Film & Arts Festival in #Denver, Colorado

An opportunity for interested audiences to see our documentary stateside, in Denver, CO, as part of the annual Indigenous Film & Arts Festival 2019.

We’re pleased to finally make it public, we’ll be screening in Denver, Colorado on October 14th at the Indigenous Film & Art Festival! It’s organized by the International Institute for Indigenous Resource Management, and the host organization is History Colorado Center. I very much appreciate having our documentary screened by a Native group in the USA, who recognizes that stories and situations like these for Native North Americans are important, too, even when they are happening abroad. The event itself takes place over several days, with many great films and discussions planned, which are largely open to the public and free of charge.  Please do visit their websites, and try to help support them in the important work.

Please check out their event pages at their site and on FACEBOOK to see the full line up of great films, speakers and presentations.

2 #Documentary Screening Events Upcoming in Athens, Greece and Lisbon, Portugal

Pleased to announce our film has been officially selected to screen at the Balkan Can Kino & Film Festival in Athens, Greece. The event takes place between 4-12 October, 2019. More details about the event and group from their website:

“Balkan Can Kino is a collectively run cinema, lab & film festival, founded by film professionals in 2017 in Athens and hosted on the ground floor of Communitism. Film programming focuses on alternative approaches to cinema and audiovisual art in order to showcase diversity. At the same time, it offers film education with the organization of workshops, discussions and lectures, at low cost or completely free of charge.

Our dream is to create a solidarity network among filmmakers, organizations and institutions, active at local and international level. The project is open to those who are interested in getting to know us and/or participate.”


Also in October, for an event on the 5th & 6th (postponed), we will be presented in a special screening by HuBB Humans Before Borders group. The screening will take place in Lisbon, Portugal, and will part of an on-going series of film viewing and discussions on topics such as colonialism, Eurocentrism, inequality and inequity. What are some of the ways these are continuing to be manifest and how to end these Eurocentric cycles of violence and imperialism.