Tonight, 23 March! Online Screening & Discussion of #Documentary “Forget Winnetou! Loving in the Wrong Way” – Part of “International Week again #Racism”

23 March 2021- Online Screening & Discussion of #Documentary “Forget Winnetou! Loving in the Wrong Way” – Part of “International Week again #Racism”

Cordial invitation to the Public Film Screening “Forget Winnetou! Loving in the Wrong Way” by director D.S. Red Haircrow, BSc., MA.

 

As part of the “International Weeks Against Racism,” in cooperation with Friedensau Adventist University, the award-winning documentary “Forget Winnetou! Loving in the Wrong Way” (in English original with German subtitles) will be shown. The event is sponsored by “Demokratie leben! – Partnership for Democracy Burg and southern Jerichower Land”.

 

Jun.-Prof. Dr. Simone Emmert, LL.M.Eur., who also teaches human rights in the Department of Christian Social Work at Friedensau Adventist University, will be the moderator. She will be in conversation with director D.S. Red Haircrow, BSc., MA, writer, educator, psychologist and filmmaker, as well as Manuel Ricardo Garcia, TransActivist, Photoartist and winner of the 2011 Pride Photo Award.

 

The event will take place online, mostly in English, on Tuesday, 3/23/2021 at 7pm on the Zoom platform. With the attached Zoom link you will get the access information.

Zoom: https://zoom.us/j/94893649622

After entering the waiting room you will be admitted.

You will need: PC/laptop/tablet or smartphone, stable internet connection, headset or alternatively headphones with microphone.

 

About the content:

“Forget Winnetou! Loving in the Wrong Way” (https://forgetwinnetou.com/) by Berlin-based director D.S. Red Haircrow, BSc., M.A. (https://redhaircrow.com/), (Writer, Psychologist, Educator & Filmmaker) is an award-winning documentary about racism, cultural appropriation and Eurocentrism from the perspective of Native Americans in Germany. In most films about Native Americans, European narratives or indigenous experiences in North America are rendered. This ignores the fact that Native Americans today also live in “Indian-crazy” Germany and are confronted with stereotypes based on Karl May’s Winnetou. The film will be made available as a vimeostream; participants admitted to the waiting room will be unlocked at the beginning of the screening.

 

Interested in screening “Forget Winnetou!”? Contact us for updated info on discussions, panels & organizing


Are you interested in hosting a screening for your organization, school or group? Vtape has a new pricing free for a one-time licensing fee. Please read more at their site, and read our FAQS page for helpful tips.

Vtape is our North American distributor offering us an open contract, we are still searching for a distributor specifically for Germany and Europe so more language options are possible for viewers. We are especially interested in DVD and Blu-ray distributors who offer options for individual buyers.

Red Haircrow, the director, is also available for lectures, discussions or panels on these are related topics. Read more about Mr. Haircrow’s professional background and research, which includes Autism Spectrum Disorder and Intergenerational Historical Trauma. Additionally, other participants in the film may also be available for events.


Our North American distributor, Vtape is an artist run, not-for-profit distributor committed to offering films to help create positive change and greater understanding between peoples. Why? Because the history and lives of Indigenous peoples have been misrepresented, misused and/or overlooked in western society, yet their treatment is indicative of the greatest injustice, inequity and inequality that is still being perpetuated not only against humans but against the earth itself.

“Forget Winnetou! Loving in the Wrong Way” is an award-winning documentary sharing the voices and perspectives of Natives and accurately informed persons who address these topics and more. Systemic racism, ableism, sexism, white supremacist ideology, Eurocentrism, cultural appropriation. These are all interconnected.

Our film is an honest and direct commentary not only of these issues, but the effects of apathy, minimization and ignoring how defending stereotyping or practices that harm, degrade and “other” continues the cycle of violence and erasure of marginalized and minoritized peoples and groups.

And how do we recreate, revive and renew our Earth, our spirits, our hearts, things that are critically necessary for our worlds survival? First, it is by recognizing, correcting and unlearning centuries of misinformation. Open your eyes. Open your hearts. Be a part of positive change that will benefit us all.

Watch trailers and extra scenes of the film at our Vimeo.

Success! Thank you to all who participated in our online screening & discussion event on 27 February

Thank you to all who participated in the film screening & discussion last night, “Forget Winnetou! Loving in the Wrong Way” – Filmvorführung und -gespräch im Rahmen der Ausstellung “Schwarz ist der Ozean”. The transcript was saved so that any questions or comments that may have been missed or there wasn’t time to respond, will also be considered.

A huge thank you to Exil – Osnabrücker Zentrum für Flüchtlinge e.V. and the individuals who organized, moderated and provided technical support to our evening.

If you’re interested in organizing a screening and discussion for your group or organization, please check out our FAQs page & use our contact form.


A sample questions:

1. Is the film an analysis of Karl May’s work or the character of Winnetou? 

No. As our film synopsis states, this film is on a) racism, white supremacist ideology and/or Eurocentrism in the misuse of Natives and other peoples and their cultures, well-intentioned or not, b) the effects of such behaviors and connection to other contemporary issues, and c) on correcting commonly believed stereotypes by providing accurate knowledge about Natives primarily from Natives.

Interviewed for “Ich bin kein Kostum!” #CulturalAppropriation #Racism & #Discrimination in #Germany – Airing 13 Feb on #3Sat

Karnevalsverein -De Poller Böschräuber. No copyright infringement intended, please visit the main website accessed from the link in the post.

Airing 13 February 2021 at 19:20, “Ich bin kein Kostüm!” a documentary by Karsen Gravert, ZDF and Tobias Winkler / Kobalt Productions. I was interviewed along with other educators and specialists on the topics of cultural appropriation, discrimination and the real effects of racism, privilege and apathy in Germany. Will it be a hardline based on our commentary or another apologist or “There’s good people on both sides” type of production? We’ll see.

“Sollten sich weiße Schauspieler das Gesicht schwarz schminken? Sollte man Dreadlocks tragen? Sollte man sich beim Fasching mit “Indianer”-Federn schmücken? Nein, sagen Vertreterinnen und Vertreter ethnischer Minderheiten. Karsten Gravert lässt in der 3satKulturdoku “Ich bin kein Kostüm! Die Debatte um kulturelle Aneignung”, am Samstag, 13. Februar 2021, 19.20 Uhr, in Erstausstrahlung in 3sat, alle Seiten dieser Diskussion zu Wort kommen.

Die deutsche Liebe zur Indianerverkleidung reproduziere rassistische Stereotype, sagt der Native American Dokumentarfilmer Red Haircrow. Auch wenn es aus Bewunderung heraus geschehe – ob bei den Karl-May-Spielen oder beim Karneval. Alexander Klaws meint: “Wenn sich mein Sohn als Indianer verkleidet, dann macht er das, weil er das toll findet. Ich möchte mich verkleiden, eine Feder tragen und diese Welt, diese Kultur damit ehren. Wie soll ich bitte meinem Sohn erklären, dass er das nicht darf?”


ENGLISH

“Should white actors put black makeup on their faces? Should people wear dreadlocks? Should people adorn themselves with “Indian” feathers at carnival? No, say representatives of ethnic minorities. In the 3sat cultural documentary “Ich bin kein Kostüm! Die Debatte um kulturelle Aneignung”, on Saturday, February 13, 2021, 7:20 p.m., first broadcast on 3sat, all sides of this discussion have their say.

The German love of Indian dress reproduces racist stereotypes, says Native American documentary filmmaker Red Haircrow. Even if it’s out of admiration, he says – whether at the Karl May plays or at carnival. Alexander Klaws says, “When my son dresses up as an Indian, he does it because he thinks it’s great. I want to dress up, wear a feather and honor this world, this culture with it. How am I supposed to explain to my son that he’s not allowed to do that?”

DO YOUR JOB TO NOT PERPETUATE RACISM AND EUROCENTRISM, AND TEACH YOUR CHILDREN TO BE RESPECTFUL OF OTHER CULTURES AND PEOPLES! It’s NOT HARD.

READ MORE ABOUT THE PRODUCTION HERE.

Beyond the White/Black Binary of #Racism: #Documentary screening/Q&A on “Forget Winnetou!” -Feb.27th

Join me and a special guest on 27 February 2021, for an online screening & discussion of the documentary, “Forget Winnetou! Loving in the Wrong Way”. View trailers and other videos at VIMEO.

This event is part of a series by Exil – Osnabrücker Zentrum für Flüchtlinge e.V., titled “Schwartz ist der Ozean”. It starts 15 February and lasts through 6 March 2021. The intersectional themes range from anti-colonialism, decolonization, racism & immigration, with the main goals of increasing knowledge, understanding and desire for people’s of all backgrounds to work together to end hatred, intolerance and apathy worldwide.

The binary of white/black is often the sole focus in Germany, and Natives are too often left out of discussions on racism, repatriation & erasure. This ignores how stereotypes, discrimination & Eurocentrism heavily effect Indigenous peoples, too, especially those who don’t look like the Euro-created stereotype.

This event will take place in cooperation with Volkshochschule der Stadt Osnabrück as Corona restrictions allow. Entry is FREE. Register online at FACEBOOK or by phone through the VHS.


Details

Online Event
Saturday, February 27, 2021 at 7 PM UTC+01 – 9 PM UTC+01
Price: Free · Duration: 2 hr
Public Anyone on or off Facebook
Eine Filmvorführung mit anschließendem Gespräch mit dem Regisseur des Films Red Haircrow

Karl Mays beliebter Pseudo-Indianer Winnetou hat die tatsächliche indigene Bevölkerung jahrzehntelang falsch dargestellt und damit einer weit verbreiteten Aneignung und Ausbeutung indigener Kulturen den Weg bereitet. Menschen indigener Herkunft sind in Deutschland willkommen, jedoch nur, wenn sie die von „Winnetou“ geprägten Klischees erfüllen. Der Film „Forget Winnetou! Loving in the Wrong Way“ behandelt die Wurzeln von Rassismus, Kolonialismus und kultureller Aneignung in Deutschland von einer selten beachteten Perspektive: die der Native Americans, die von den Deutschen angeblich so geliebt werden.

Red Haircrow ist Schriftsteller, Pädagoge, Filmemacher und Psychologe von Chiricahua-Apache, Cherokee und afroamerikanischer Herkunft. Er hat einen Bachelor in Psychologie und einen Master in Native American Studies von der Montana State University Bozeman.

#Documentary Now Available at #Vtape, Canada’s Leading Artist-Run Not-for-profit Distributor

Request a copy of “Forget Winnetou! Loving in the Wrong Way” for your university, organization or screening event today!

Summary: “The same mentality that ignores indigenous rights to self-representation are often those who also stereotype and gaslight GLBTIIQ people, women, the disabled or economically challenged, especially people of color just for desiring change and equality. It is basically saying, “My gratification is more important than your dignity, your rights or even your life.” This is a main facet of rape culture. It is intersecting oppression.

Most films about Natives concentrate on European narratives or indigenous experience in North America but there are Natives abroad and being “loved in the wrong way” in “Indian crazy” Germany has many forms. Germany is a microcosm of struggles taking place across the world both against and for decolonization; for correcting white privilege and supremacy that’s divided and helped destroy our world. We explore the roots of racism, colonialism, and appropriation in Germany from a rarely considered perspective: the Native American stereotype they claim to adore.”

On IMDb

On Twitter

Request an Interview

Press & Resources


ABOUT VTAPE
“Vtape is a vibrant distribution organization that represents an international collection of contemporary and historical video art and media works by artists. We make this collection accessible to curators and programmers, educators, scholars and public audiences worldwide. In addition to providing a distribution framework for established and emerging artists, Vtape is committed to establishing video art preservation and exhibition standards, and strives to support hybrid practices in an increasingly complex technical milieu.”

Photo by Viveka Frost.

#Radio #Podcast- 8 Dec on Reboot.fm: Que Kenny, Rachel O’Reilly & Red Haircrow on #Colonialism #Fracking

Description from Reboot.fm website.

“INFRACTIONS is an artistic feature documentary in dialogue with frontline Indigenous cultural workers’ struggles against threats to more than 50% of Australia’s Northern Territory from shale gas fracking. It was commissioned by the KW Production Series.
Don’t Frack the NT features a discussion in Berlin with one of the film’s protagonists Que Kenny, with Red Haircrow, and the director, Rachel O’Reilly.

Que Kenny is a Western Arrarnta woman, community support worker and activist from Ntaria (Hermannsburg), 130km west of Alice Springs in the Northern Territory, also studying law at Deakin University, Melbourne. She has been involved in grassroots campaigns against the Northern Territory Emergency Response (‘The Intervention’) since 2007, and against Northern Territory gas fracking with the Protect Country Alliance.

Red Haircrow is an award-winning writer, educator, psychologist and filmmaker of Native (Chiricahua Apache/Cherokee) and African American heritage. They have an MA in Native American Studies, a Bachelor’s of Science in Psychology and counsel selectively. Special focus of Haircrow’s work includes Native/Indigenous and BIPOC inter-generational historic trauma, Autistic Spectrum Disorder, GLBTIIQ needs and suicide prevention. https://redhaircrow.com/

Rachel O’Reilly is an artist, critic, curator and PhD researcher at Goldsmiths’ Centre for Research Architecture, and theory seminar leader at the Dutch Art Institute. Her artistic work and research have been presented internationally, most recently at Van Abbemuseum, Eindhoven; E-flux, New York; and UNSW Galleries, Sydney. She co-wrote On Neutrality with Jelena Vesic and Vlidi Jeric, and publishes with Danny Butt on artistic autonomy in settler colonial space. She lives in Berlin.

More info on context and campaigns:

https://www.protectcountrynt.org.au/

Gastivists Home

First Nations on the frontline work hard to protect culture through art and music.
From Infractions, see:

The Sandridge Band, played on RebootFM, also on iTunes:
https://mobile.facebook.com/pages/category/Musician-Band/The-Sandridge-Band-333448726671790/?_rdc=1&_rdr

Dimakarri Dixon, debut album:
https://m.facebook.com/events/fortyfivedownstairs/standing-strong-album-launch/719203481874800/?_rdc=2&_r

 

 

 

21 Nov. #Documentary #Screening & Discussion in #Berlin with Xart Splitta & Guest – Karin Louise Hermes

  • Where –  Xart Splitta, Hasanheide 73, 10967 Berlin
  • Time – 7pm-10pm
  • Language– German & English (film & discussion)
  • Cost – Donations accepted
  • Facebook Event page

November is Native American Heritage Month, a national holiday in the USA. But there and here in Germany, the dehumanization and objectification of Indigenous peoples, and the minimization or erasure of historical acts and issues continues. Colonial behaviors and practices that are connected to the most serious, even life threatening problems humanity now faces.

Germany is well known for its cultural appropriation and ideation of American Indians. Misinformation, stereotypes and Eurocentric narratives are widespread. “Playing Indian” as a costume or a lifestyle has been normalized for generations, largely with the help or excuse of Karl May’s work.

Whether one agrees with such practices or not, most don’t recognize it for what it is: #Colonialism2019 and Systemic Racism. Why are Native and Indigenous issues too often left out of conversations on racism in Germany? Why do so many people, even anti-racism or social justice activists continue to tokenize/primitize Indigenous peoples and/or leave them out of conversations on how to survive and create a better world for all peoples?

What truly is intersectional activism and why is it critically important for Indigenous peoples, the history of their treatment and contemporary reality to take stage alongside any and every other action on anti-colonialism, anti-racism and climate crisis? What can you do? What should you do? How can we work together?

We’re going to talk about it on 21 November!


Meet our guest:

Karin Louise Hermes is a Filipina-German academic based in Berlin, Germany. Karin has participated in, organized and reported on many inter-sectional political issues at climate crisis conferences, during direct actions and demonstrations and other endeavors on Indigenous self-representation, ending racism and colonialism. She holds a MA in Pacific Island Studies from the University of Hawai’i, and is a PhD candidate in American Studies at Humboldt-Universität Berlin. One of her articles, “Why I protest“.

We’re a Finalist in the 2019 Overcome Film Festival! #Indigenous #Documentary #Films

Pleased to share our documentary has been selected as a finalist in the 2019 Overcome Film Festival. It’s especially amazing in that this is my first feature length documentary, as I’d described myself only as a slightly advanced beginner. It speaks to the intersectionality and importance of the topic, the strength and sincerity of the participants (see this here), and justifies the hard painful work so many of us put into the project, refusing to give up.

More about the festival, and head to their site to check out their partners and the many great causes they support:

“The 2019 Overcome Film Festival is the international event for all storytellers, filmmakers, and artists to tell the world their stories of survival and triumph over adversity. The 2019 official program will include Features and Short films in the categories of live-action, animation, narrative, non-narrative, experimental, and audiovisual poetry with 27 Award categories.

The Overcome Film Festival especially encourages and welcomes the entries of filmmakers all over the world who want to share their experiences in overcoming adversity or any other factor that has contributed to their growth as a person and motivated them to celebrate their existence. It is the focus of the film festival to give survivors a voice and a venue to share their life experiences and provide hope to others regardless of where they come from in the world.”

Clip from our new #documentary project “ALMOST”

A short clip from current #documentary project in production, Almost, on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are. Following the lives of four people on Asperger’s Syndrome, sexuality, gender and the effects of stigma and prejudice. It is currently in production, and will combine unique animated storytelling and live scenes to inspire hope and courage in these challenging times. Website.

Description:

“Almost normal. Almost acceptable. Almost indigenous.

Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical dis-/abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.

Some are embracing their differences in order to heal…and they’re connecting.”


  • Directed by Red Haircrow
  • Animations by Neda Ahmadi
  • Music by Johnny Clyde
  • Intro photo by Viveka Frost
  • Featuring Manuel Ricardo Garcia