A short documentary in production on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are. Following the lives of four people on Asperger’s Syndrome, sexuality, transgenderism and the effects of stigma and prejudice.
Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.
Some are embracing their differences in order to heal, and they’re connecting.”
Directed by Red Haircrow
Animations by Neda Ahmadi
Music by Johnny Clyde
More information at redhaircrow.com
More details at facebook.com/WeAreEnoughtheFilm/
Public lecture in the context of the series of events by TU Dresden’s “Courage: knowledge, seeing, acting!” cultural programme: “What is racism? In which contexts does he appear? What can a university do against racism? The lectures and discussions with well-known experts help to recognize and understand racism.”
- Identity. Intersectionality. Indigeneity
- Referent: Red Haircrow
- Moderation: wird noch bekannt gegeben
- Sprache: Englisch
Synopsis: “Germany has no problem labeling and defining “Others”, such as its favorite stereotype the Native American Indian, but its own identity in this 21st century is more complex. “Identity”, whether as an individual or as a nation is growing more contentious, not only because of refugees and migration, but the increase in multi-ethnic families, some born or having lived here for generations.
Whether it is the normalization of racism in the mainstream or the behaviors and practices of modern colonialism present in government, schools and businesses, and daily on the streets, Germany is a microcosm of struggles facing western society. Misinformation, Eurocentric history and “politically correct” policies that did not reflect interracial reality for decades has created a perfect storm of self-victimization and self-interest.
The same mentality that ignores indigenous rights to self-representation are often those who also stereotype and gaslight GLBTIIQ people, the disabled or economically challenged, especially people of color just for desiring change and equality. This is intersecting oppression. What and who engineered these behaviors and practices, and for what purpose? And how and why must it change? These questions are each person’s responsibility to educate themselves upon, but the answers must be honest.”
Check out many other authors & director Red Haircrow’s review of “Spirits of Blood, Spirits of Breath: The Twinned Cosmos of #Indigenous America” by Barbara Alice Mann (Seneca) in NAIS: Native American and Indigenous Studies’s latest journal, Vol.5.1 2018, at the University of Minnesota. Copies available here https://www.upress.umn.edu/journal-division/journals/nais
An excerpt: “Spirits of Blood, Spirits of Breath” is a collection of different and sometimes distinct indigenous perceptions, stories, legends and, while some people might call them myths, as in fiction, these are histories and explanations orally passed down that are believed true or are rooted in truth. As the aphorism states, “The absence of evidence is not evidence of absence.” Yet this book is more than a systematic gathering of related information primarily on serpents and thunderbirds or sky and earth beings, none unique or forbidden because it is all available if you know where to look, and far more than a work detailing then condemning European proclivities, past or present. It is correction by example, of misattribution, mislabeling, and at times a “blow-by-blow” timeline of western interference and biased disdain for actual native wisdom and realities, while conversely other Europeans appropriated and erased.”
Pleased to announce our official selection for the 12th Native Spirit Film Festival, Oct. 11-21, 2018 in London, England.
“Native Spirit Film Festival returns to London’s historic Bloomsbury to present Indigenous Film, Native Media and Artists, with some focus on languages in the run-up to UNESCO 2019 Year of Indigenous Languages.
Director Red Haircrow, and members of the film team and a participant will be on location to present and take part in a Q&A following the documentary. It takes place at the historic Senate House library, and we hope to see some of you there!
It’s a free event. REGISTER HERE!
In cooperation with Xart Splitta, we want to help showcase Native/indigenous films in Berlin, Germany through Fall/Winter 2018.
Main Themes for films or other multimedia projects by and about:
- Native/indigenous women
- GLBTIQ communities or two-spirit persons
- contemporary themes and indigenous futurisms, which is a term coined by Professor Grace Dillion (Anishinaabe)
- decolonization of cuisine, culture, languages and traditions or environmental practices.
Discussion panels, workshops and lectures are planned. Filmmakers and artists don’t have to be on location in Berlin but would be very welcome. We can also arrange discussions via video chat. We are open to themes and compositions to accompany your films.
The purpose is for Natives to present and represent themselves and help educate on and lessen Native stereotypes and stereotyping through sharing their stories and experiences on their own terms.
The schedule is now being planned and will be finalized by August. The number of screenings and events will be based on the number of submissions.
Please contact us through our website form, including descriptions and links to your work, your availability and a short bio/profile. Also, if you have any questions, comments or suggestions.
Xart Splitta is a registered association for the empowerment and support of human rights, women’s issues, GLBTIQ and racial and ethnic equality, among others themes. https://www.xartsplitta.net/en/people-at-xart-splitta/
Red Haircrow is a writer, educator, filmmaker and chef of Native (Chiricahua Apache/Cherokee) and African American heritage currently based in Berlin, who holds a BSc in Psychology, counsels selectively and is a Master’s student at MSU Bozeman, NAS. https://redhaircrow.com/ and Flying With Red Haircrow Productions.
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