A play on our documentary’s name – “Escaping Winnetou” – the new Campaign at Survival International

Escaping Winnetou campaign at Survival International, the broschure is downloadable at the link.
Text German version below. Video at Vimeo.

We were contacted to give some commentary on the topic, which has returned to the stage as a new film of racist troupes and stereotypes was recently released. The willful insistence of Germans of this type to not only perpetuate harmful stereotypes but to introduce and reinforce their use in a new generation is on full display, even as normalized racism and white supremacist ideology is on the rise.

The simple fact of the matter is: You cannot make “better” racist films by “updating” material and still using the same troupes, characters, names and Eurocentric, whitecentric structures and producers. This is impossible. Racism is racism. Organizations, museums or anything else that have used Natives for profit, interest and personal gain aren’t suddenly better because they share some stats or information about Natives today. That absolves you of Nothing and is purely self-delusion.

As in the previous post, about our 14 August interview at Deutschlandradio Kultur, we shared there continues to be individuals and groups working positively with Natives. In healthy, non-racist, non-Eurocentric collaborations and cooperation with Indigenous peoples. They Never make the spotlight because that would show it is possible Not to be racist and still enjoy Native peoples and cultures. That shows how wrong the way such filmmakers and producers, hobbyists, and “Indian” shows actually are, that it is self-gratifying even arrogant behaviors, and facets of rape culture: “We will use you for our pleasure whether you like it or not, and even if you say ‘please don’t do this’, we will do it anyway!” A terrible mindset.

Survival International has created a brochure gathering information and data on persistent cultural appropriation and racist practices in Germany, particularly with Native and Indigenous peoples. It is the explanation and introduction for their current campaign, Escaping Winnetou, which will presumably last the next months.

We were asked if we might like to be part of it, but we’ll see in the future what that looks like, as they had not offered or defined a specific way for us to do so. That’s always a frustrating aspect, because effectively, it’s a structural way non-Natives are still narrating and presenting Indigenous peoples.

Visit the site, watch the video, but more importantly, think about how you can help change our societies for the better each day. Sometimes that’s not easy, even in small ways, but it’s possible and necessary that every single one of us try to do so.


The “Cycle of Genocide” image was created by Ižaŋžaŋwiŋ.


Wir wurden um einen Kommentar zu diesem Thema gebeten, das durch die Veröffentlichung eines neuen Films mit rassistischen Klischees und Stereotypen wieder in den Fokus gerückt ist. Das beharrliche Festhalten dieser Art von Deutschen daran, schädliche Stereotypen nicht nur aufrechtzuerhalten, sondern sie auch einer neuen Generation zu vermitteln und zu verfestigen, ist offensichtlich, auch wenn normalisierter Rassismus und die Ideologie der weißen Vorherrschaft auf dem Vormarsch sind.

Die einfache Tatsache ist: Man kann keine „besseren” rassistischen Filme machen, indem man das Material „aktualisiert” und dabei weiterhin dieselben Klischees, Charaktere, Namen und eurozentrischen, weißzentrierten Strukturen und Produzenten verwendet. Das ist unmöglich. Rassismus ist Rassismus. Organisationen, Museen oder andere Einrichtungen, die Native für Profit, Interessen und persönlichen Gewinn ausgenutzt haben, werden nicht plötzlich besser, nur weil sie heute einige Statistiken oder Informationen über Native veröffentlichen. Das entlastet Sie in keiner Weise und ist reine Selbsttäuschung.

Wie im vorherigen Beitrag über unser Interview vom 14. August bei Deutschlandradio Kultur haben wir berichtet, dass es weiterhin Einzelpersonen und Gruppen gibt, die positiv mit den Natives zusammenarbeiten. In einer gesunden, nicht rassistischen, nicht eurozentrischen Zusammenarbeit und Kooperation mit indigenen Völkern. Sie stehen nie im Rampenlicht, weil das zeigen würde, dass es möglich ist, nicht rassistisch zu sein und dennoch die Natives und ihre Kulturen zu genießen. Das zeigt, wie falsch die Vorgehensweise solcher Filmemacher und Produzenten, Hobbyisten und „Indianer”-Shows tatsächlich ist, dass es sich um selbstgefälliges, sogar arrogantes Verhalten und Facetten einer Vergewaltigungskultur handelt: „Wir werden euch zu unserem Vergnügen benutzen, ob ihr es wollt oder nicht, und selbst wenn ihr sagt ‚Bitte tut das nicht’, werden wir es trotzdem tun!” Eine schreckliche Denkweise.

Survival International hat eine Broschüre mit Informationen und Daten über anhaltende kulturelle Aneignung und rassistische Praktiken in Deutschland, insbesondere gegenüber Native und indigenen Völkern, erstellt. Sie dient als Erklärung und Einführung für ihre aktuelle Kampagne „Escaping Winnetou”, die voraussichtlich die nächsten Monate dauern wird.

Wir wurden gefragt, ob wir daran teilnehmen möchten, aber wir werden in Zukunft sehen, wie das aussehen wird, da sie uns keine konkrete Möglichkeit dafür angeboten oder definiert haben. Das ist immer ein frustrierender Aspekt, denn effektiv ist es eine strukturelle Art und Weise, wie Nicht-Native immer noch über indigene Völker berichten und sie darstellen.

Besuchen Sie die Website, schauen Sie sich das Video an, aber denken Sie vor allem darüber nach, wie Sie dazu beitragen können, unsere Gesellschaften jeden Tag ein bisschen besser zu machen. Das ist manchmal nicht einfach, selbst in kleinen Schritten, aber es ist möglich und notwendig, dass jeder einzelne von uns sich darum bemüht.

Update & Announcement for #Documentary Film Project, “ALMOST”

ANNOUNCEMENT 4 March 2025:

With the reign of terror, violence and extreme violations of human rights being waged against transgender people in the USA, particularly BIPOC. The rising, normalized hate, ignorance and apathy towards the reality of transgender, nonbinary, genderfluid and Two Spirit people in western society, we have decided our documentary production will focus solely on such persons and ally perspectives. Education, empathy and common decency is lacking, lagging, and in some cases non-existent, even with those who considered themselves open-minded, progressive and non-discriminatory.


  • Some previous footage from other submitted and recorded interviews may be included in our web series. But those were recorded 2023 and previous, and we wish to ensure no participants are those who support the dictatorship and violence occurring in the USA, its illegal government, nor any of its inhumane policies in-land or around the world.
  • Consider purchasing or sharing information about our anthology dedicated to transgender, etc. voices “Varied Spirits, vol. 1″ edited by Red Haircrow and Manuel Ricardo Garcia, published 31 March 2023 on the International Transgender Visibility Day.
  • If you are a transgender, genderfluid, genderqueer, nonbinary, Two Spirit person or ally, of whatever background or heritage, and may wish to be part of the project?
    Please use the contact form!
  • What are your stories? Histories? Struggles and triumphs? What do you believe the world needs to know? It doesn’t have to be momentous, newsworthy or special according to “society’s standards”. We know that sometimes the most simple things, memories, thoughts can be the most profound and moving!

AL string

Description: A new short documentary and web-series on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are. Following the lives of individuals on sexuality, gender, and culture plus the effects of stigma and prejudice on everyone. Production has begun again, and the innovative film will combine unique animated storytelling and live scenes to inspire hope and courage in these challenging times. 2nd Teaser.

Almost normal.
Almost acceptable.
Almost Indigenous.

Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical dis-/abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.

Some are embracing their differences in order to heal…and they’re connecting.


Directed by Red Haircrow
Animations by Neda Ahmadi
Music by Johnny Clyde

Would you like to help support the project? Please contact us!

I’ve a chapter in the Forthcoming collection: “IndigePop: A Companion” Edited by Seibel & Dlaske

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IndigePop: A Companion

by Svetlana Seibel (Volume editor)Kati Dlaske (Volume editor)
©2024Edited CollectionVIII, 304 Pages
The Arts

Series: Genre Fiction and Film Companions, Volume 16
Forthcoming!


Summary:

“Contemporary Indigenous popular culture is a dynamic and expansive cultural field that has been gaining momentum since the turn of the twenty-first century. This edited collection brings together contributions by scholars, artists and practitioners who work with and in the field of Indigenous popular culture in various capacities, from different standpoints and in a range of geopolitical contexts. This approach aims at promoting a dialogue between diverse sites of knowledge production of and on the Indigenous popular at the same time as it reflects the multivocal, multimedial and multisited landscape of contemporary Indigenous popular culture. The contributions in the volume engage both the poetics and the politics of IndigePop, showcasing the creative and celebratory energies of Indigenous popular culture and Indigenerdity as well as their societal significance vis-à-vis Indigenous resistance, resurgence and political struggles.”

Details
Pages, 304
Publication Year 2024
ISBN (PDF): 9781803743097
ISBN (ePUB): 9781803743103
ISBN (Softcover): 9781803743080
DOI: 10.3726/b21220
Language: English

Keywords:
IndigePop, Indigenerdity, Indigenous popular culture, contemporary popular culture, Indigenous popular art, Indigenous literature and media, Indigenous Comic Con, IndigiPopX

Published: Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York, 2024.

 

“Indianer” ist kein Kostüm” & “Twice Colonized” Screening – Salzburg, 7 February 2024

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Mittwoch, 07.02.2024, 18.00 Uhr bis 19:30 Uhr
Veranstalter: Afro-Asiatisches Institut Salzburg
Zu viele Indigene Gemeinschaften und Menschen weltweit haben noch nicht die angemessenen Entschuldigungen, Wiedergutmachungen, Restitutionen oder Landrückgaben erhalten, die ihnen zustehen.

Vielerorts werden sie gesellschaftlich und strukturell noch immer diskriminiert. Nicht nur ihres Landes, ihrer Umwelt sondern viel zu oft auch ihrer Sprache und Kultur beraubt, kämpfen viele von ihnen um ihre Rechte. In main stream Gesellschaften ist bei Karnevalen, Festen und Partys die Verkleidung als Native American noch immer gang und gebe. Diese Praxis reproduziert zumeist unreflektiert Stereotype und ist eine Form der kulturellen Aneignung. Selten haben sich die Träger*innen dieser Kostüme ernsthaft mit den Anliegen und Werte Indigener Menschen auseinandergesetzt. Daher steht die Nutzung von Kleidern indigener Menschen als Kostüme unter großer Kritik. Mit Hilfe von Darstellungen realer leidvoller Ereignisse in der Geschichte von Indigener Gesellschaften, und dem Unterstreichen diskriminierender Kontinuitäten möchten wir uns im Rahmen dieses Themenabends aus erster Hand mit den Rechten indigener Menschen auseinandersetzen. Ziel ist es einen sensibilisierten Umgang ihnen gegenüber und die Solidarität mit ihnen zu fördern.

Im ersten Teil des Themenabends wird Red Haircrow, afro- und native-amerikanischer Schriftsteller, Psychologe, Erzieher und Filmemacher, einen Global Space Talk zum Thema: “Indianer” ist kein Kostüm gestalten. Wir laden nach Red Haircrow’s Talk zur Diskussion mit ihm ein.

Wer sich schon vor diesem Abend über Red Haircrows Schaffen schlau machen möchte kann auf seiner Seite stöbern: https://redhaircrow.com/about/

Nach dem Talk wird der Film Twice Colonized um 20 Uhr gezeigt.
Der Dokumentarfilm begleitet die angesehene grönländische Inuit Juristin und Aktivistin Aaju Peter bei ihrem Engagement für die Rechte und die Bewahrung der Heimat der Indigenen Gesellschaften der Arktis.

Hier gehts zum Trailer.

Filminfo: Lin Alluna (Regie), Grönland / Dänemark / Kanada 2023, OmeU: Englisch / Dänisch / Kalaallisut / Inuktitut

Referierende: Red Haircrow (afro-amerikanischer Chiricahua Apache/Cherokee; Berlin/USA), Schriftsteller, Psychologe, Erzieher und Filmemacher

Termin: Mittwoch, 07. Februar 2024, 18 Uhr

Ort: Kapitelsaal, Kapitelplatz 6 (1. Stock), 5020 Salzburg

Filmdauer: 92 Minuten

Sprache: Englisch

In Kooperation mit: AntiRa Salzburg, BIPOC Circle, Talk Together, Sei so frei, Friedensbüro Salzburg

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25 Nov Premiere at Friedrichstadt-Palast #Berlin – Intercultural Cooperation & Positive Change

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Instead of focusing on Thankstaking or that Germany as a whole only mentions Natives during times of controversy or misuse, tomorrow, 25 November at Friedrichstadt-Palast in Germany’s capital city, Berlin, we’ll see what’s up with the revamped scene featuring Native themes! It’ll be my first time seeing and hearing all components together after I served as cultural consultant on the scene set in the 1800s of the USA, for the youth show, “Spiel mit der Zeit”.

Around this time last year, I was contacted by one of the directors to provide feedback and cultural accuracy/representation on a scene, then it also evolved into co-writing song lyrics and feedback on costuming. They had heard about then viewed my documentary “Forget Winnetou! Loving in the Wrong Way”, and taken it into consideration in their internal discussions.

The main director was reviewing the show’s elements, having been a part of its original creation and so forth, but through educational efforts by so many Indigenous peoples and allies through the years, rightly decided it needed an update and overhaul to remove as many stereotypes and misrepresentations as possible. Then adding more culturally appropriate perspectives and insights on both sides of the camera, as it were: in consultation and creative action.

In Germany, if there’s a famous person wearing a “Native costume” to a party and there’s an outcry, if there’s a new film or book with Native slurs, stereotypes, perpetuating “white-washed” Eurocentric narratives of Native caricatures like 2022’s ridiculous but antagonistic debacle, or one of the USA’s holidays based on lies to erase their genocide and theft of Native lands and lives… then you might hear about Natives in the news. Or when Germans are complaining that educational efforts to stop Native stereotyping and misuse is taking away their freedom or German culture. (Which begs the question anyway, so racism is part of your culture?)

Every year there are dozens of articles and other media usually glamorizing “Indian hobbyists and hobbyism”, and the actors, directors, museum curators and so forth, who make their careers on Eurocentric possessiveness and “ownership” of Native cultures, traditions and history. Otherwise, ACTUAL Natives are usually ignored, especially if they are not the stereotype Germany prefers. Rarely IF EVER do you see stories of any kind about the positive collaborations, cooperations and endeavors Natives and non-Natives are accomplishing, which deserves note and celebration.

Friedrichstadt-Palast didn’t have to change anything about Native representation in their youth show, but they chose to do so. It’s 2023, and there’s firsthand information available at any time about other cultures, and actual cultural consultants from any culture where they can speak in person, especially in a huge city like Berlin. They didn’t remove the scene, although they considered it. They didn’t omit Native references, they didn’t rationalize their previous choices, nor get defensive when certain issues were pointed out. They had committed to positive change, and then worked in cooperation with myself and others to make it happen. Sure, more change still needs to be made and it understood that creatives who happen to be Native CAN ALSO be regular members of any production team anyway, this is a good step.

I will see the whole production tomorrow and post my review later, whether I had been a part of it or not, I applaud Friedrichstadt-Palast, its directors and others who I feel are a good example of what Natives have been asking all along: intercutural cooperation and changes in alignment with overall Indigenous perspectives regarding self-representation. Nothing was denied German or other European peoples who have relied on stereotypes, misrepresentation and misuse of Native cultures and peoples, and in fact, a better, more well-rounded and enjoyable show may have been attained. And what is even more important to me, a FAR BETTER EXAMPLE was set for the 1000’s of young people and others who will see the show, on how we can work together without Eurocentric narratives, red-facing, stereotypes.

Anyway, check out the trailer and other info about the show at the link.  https://www.palast.berlin/show/spiel-mit-der-zeit/

“The Indigenous have already experienced their Apocalypse” – Interview on “Alles Muss Raus” – 05.10.2023

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For those interested, here’s the link to my interview/the discussion on the “Alles Muss Raus” podcast with Thilo Mischke. Released on 5 October 2023, “The Indigenous have already experienced their Apocalypse”. 

Looking back, I had no real issues with any of the questions. However, one of the first questions which I am paraphrasing, “Living in Germany now (or so long?) do these topics or things happening to Native Americans/First Nations affect you anymore?” was really surprising in a way, but in another, not so very because Indigenous peoples are generally perceived as sensitive/traumatized or distanced from. Maybe that is what they have perceived of us. I believe I paused before responding, because literally, just because you move someplace else or live someplace else you don’t stop caring for your family, your relatives, your peoples. We’re not animals adopted or moved away from a pet shelter who eventually have little or no memory of those times.

Another question that soon followed was also general, but not surprising, “Have you personally been affected by MMIW or related violence?” I did respond that I had been subjected to identity related violence and lost two uncles to discriminatory, racist violence at state/governmental hands or negligence.  Women and girls have been targeted since DAY ONE of European invasion then 2S relatives, but men also, especially younger Indigenous men as was mentioned by Johnnie Jae (Otoe Missouri/Choctaw) in my documentary on the effects of stereotypes and racism, “Forget Winnetou! Loving in the Wrong Way” (2018).

Many Germans I’ve encountered through the years, whether referencing German society and family issues or others, often expressed their position that unless certain injurious things happened TO them or someone they personally knew in a close way, they had little or no interest in seeing justice done. ESPECIALLY if it were a topic they considered merely a difference of opinion like racial profiling and racial violence or transgender rights and protection. Considering the previous question and tone, if I had said I had not been personally affected in some way would it not then have been, “So, why should it matter to you? AKA Why are you speaking on these topics?” Actually, the questions should be, especially in a Germany who claims to love Native Americans and their cultures:

WHY SHOULDN’T IT MATTER TO EVERYONE?
WHY DO SO MANY IGNORE OR MINIMIZE THE SERIAL KILLINGS AND DISAPPEARANCES OF MMIW?

Finally, one discussion point I cannot help but mention whether included in the broadcast or not, I was speaking about positive collaborations between Germans/Europeans and the Indigenous that are rarely if ever mentioned in the media, who favor controversial, even adversarial treatment of anything Indigenous related. I mentioned how the alphabetizing of Ndee (Apache) languages was progressing since decades with the help of certain German linguists who’ve lived in proximity to Apache for decades.

As a similar example(?), the host mentioned that after Germans had recorded in print tattoo patterns that were unknown to Samoans today, before conducting massacres on the Samoan people. Thus those tattoos were only known now because Germans had preserved them, which a descendant or relative had wryly remarked upon with a laugh during an interview. To put it mildly, it is highly inappropriate for a German or other European to laugh also at this as if it were a “joke” joke. It was not. It was the still grieving, “wtf else can you do but laugh” so many Indigenous and other minoritized, marginalized peoples and groups know all too well. Granted, their laugh may have been ironical, but to be honest, that kind of gallows humor should only be used with someone you know very well, if then, as it can be seen as minimization of the trauma that still exists these communities due to invasion and genocide.

As the Samoan man and others remarked further in the documentary (and response to), OF COURSE, they would rather have had those relatives not be massacred and lose those tattoo patterns forever. And where is that book now anyway? I might lose, but I’d bet that book is NOT in Samoa, in the hands and/or total control of the Samoan people. Like so many precious cultural items of Indigenous peoples, they were looted, coerced and/or gained through violence, and have never been respectfully apologized for and corrected. Germany, like most European countries of the west, continue to hold hostage or apathetically fail to require their society to return such materials to their original peoples.

Those are my two outstanding observations on the interview, and any other issues if present, you can doubtless ascertain for yourself. 99.9% of the time, podcasts included, they provide you with a list of questions so you can prepare in some way. I was not. So, I feel I could have better answered some questions, though in hindsight one always remembers things they wish had included or said better. But yeah, here ya go.

Call for Participants – #Filming restarted for #ALMOST #Documentary – #Indigeneity & #GenderDiversity

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FILMING HAS RESTARTED FOR ALMOST! WE ARE ACTIVELY SEEKING PARTICIPANTS, SO PLEASE  APPLY AS SOON AS POSSIBLE.

ALMOST was first developed to be a short #documentary film with unique animated storytelling and live scenes, which it still will be, but additionally, I will create a #webseries where episodes feature participants who wish to further share their journey. Other components, such as the spider symbolism will also be explained further, as the web series will supplement and expand the main documentary’s themes and topics.

Description: Focusing on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are.

“Almost normal.
Almost acceptable.
Almost Indigenous.

Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical dis-/abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.

Some are embracing their differences in order to heal…and they’re connecting.”

PARTICIPANTS WILL NEED TO BE:

1) Over the age of 18 at the time of filming
2) Be willing to sign an agreement for use of their likeness and footage in this project
3) Have an understanding Indigenous and original peoples exist across the world, including Europe, but priority will be given to those connected to or reconnecting to their cultures

Please view the trailer here or on Vimeo, and read through the information currently available on this website, such as the story, the spider and the director’s pages. Red Haircrow, who was awarded the 2023  Ma’’ingan Scholarship for their work as an early career psychologist in gender expansive support and research, has their personal website also, which can be found here https://redhaircrow.com/.

If you are interested in participating and/or have any questions, please follow the link to our posting and use our contact form. You are also welcome to share this call appropriately.
https://almostdocumentary.wordpress.com/2023/09/20/call-for-participants/

Current Projects & Cooperations

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Find our projects of interest, or have ideas you think we might be interested in? Write us.

Now Available – “Varied Spirits -Anthology – Vol.1” on this #TransgenderDayOfVisibility

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Now available! Published on this, 31st March 2023, on the Transgender Day of Visibility, even as countries and governments like the USA continue to allow violent attacks, discrimination and organized oppression and legislation to destroy rights and lives.

Varied Spirits Anthology – Volume 1, in print or on Kindle. 50 pages, English.

Just like our documentary’s description: “The same mentality that ignores Indigenous rights to self-representation are often those who also stereotype and gaslight GLBTIIQ people, women (of all kinds), the disabled or economically challenged, especially people of color just for desiring change and equality. It is basically saying, “My gratification is more important than your dignity, your rights or even your life.” This is a main facet of rape culture. It is intersecting oppression.

 “Varied Spirits” is a poetry, prose and art collection focusing on writers, artists and creatives who identify as transgender, non-binary, gender non-conforming, gender-queer, trans-feminine, trans-masculine, or other self-identifying terms both ancient and historic, and Native/Indigenous persons who identify as Two-Spirit.

Description: “We live in societies designed to crush our bodies and spirits, that seek to compartmentalize and confine us in every way, especially into heteronormative roles and bodies although gender, sexuality, even intelligence are naturally on a spectrum.

Variance, the state of being varied, is often seen as negative. Yet skills such as adaptability and variability helped our ancestors survive, and today are essential in gaining and maintaining balance, well-being and mindfulness. Being trans and/or also part of other minoritized or marginalized groups adds extra challenges for being accepted as who you are, of just living your life, of feeling safe in society, in your home, in your body.”

This anthology is a gathering of the dignity, the sacrifice, and the beauty of our lives, loves and living. Of our spirits.”

Contributors include Ana Oihan Ametsa, Vyacheslav Konoval, Hexe Fey, Dana Ravyn, Kat, C.S.W. Henry, Rachel Andeen, Lara Holy, Folami Bayode and Fierce Grandmother, from the countries or unceded territories of the USA, Canada, Mexico, Ukraine, Germany, and the UK. Edited by Manuel Ricardo Garcia and Red Haircrow.

Length: 50 Pages
Format: Softcover on art paper
Art & Text: Color and Black/White
Size: 148 x 210 mm

Would you like a copy to review for your website, blog or organization? Contact us. 

Book Launch on 31 March – “Varied Spirits – An Anthology” on #Transgender Day of Visibility

 

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Varied Spirits – An Anthology – Volume 1
edited by Manuel Ricardo Garcia and Red Haircrow

Arriving 31 March 2023, and will be available in print & ebook,  which is open for pre-order.

Contributors include Ana Oihan Ametsa, Vyacheslav Konoval, Hexe Fey, Dana Ravyn, Kat, C.S.W. Henry, Rachel Andeen, Lara Holy, Folami Bayode and Fierce Grandmother.


Dedication: To all our transgender, non-binary, genderfluid, Two-Spirit relatives known and unknown, who have been natural, vital parts of families, communities and societies since the beginning of time, and who continue to support, nurture, build bridges, heal and love human beings.

Description: “We live in societies designed to crush our bodies and spirits, that seek to compartmentalize and confine us in every way, especially into heteronormative roles and bodies although gender, sexuality, even intelligence are naturally on a spectrum.

Variance, the state of being varied, is often seen as negative. Yet skills such as adaptability and variability helped our ancestors survive, and today are essential in gaining and maintaining balance, well-being and mindfulness. Being trans and/or also part of other minoritized or marginalized groups adds extra challenges for being accepted as who you are, of just living your life, of feeling safe in society, in your home, in your body.

This is the first volume of “Varied Spirits”, an anthology and collection of thoughts, expressions and stories gathering and celebrating the dignity, the sacrifice, and the beauty of our lives, loves and living. Of our spirits.”

Cover art by Folami Bayode, cover design by Red Haircrow. Published by Flying with Red Haircrow Productions.


 

And remember from the description of our documentary, “Forget Winnetou! Loving in the Wrong Way”, and as we’re seeing in society more and more each day: intolerance, ignorance, hatred, derision and verbal, violent and even deadly attacks on transgender people and GLBTIIQ deserves. Remember February’s offensive “cultural appropriation” Karneval floats that also had “rainbow” dressed “Indians” tied up as if being sacrificed?

“The same mentality that ignores Indigenous rights to self-representation are often those who also stereotype and gaslight GLBTIIQ people, women of all kinds, the disabled or economically challenged, especially people of color just for desiring change and equality. It is basically saying, “My gratification is more important than your dignity, your rights or even your life.” This is a main facet of rape culture. It is intersecting oppression.”